project
Je t'embrasse tous
Jean-Charles de Quillacq
08.06.2016 - 23.07.2016, opening 08.06.2016
Exhibition view
Exhibition view
Exhibition view
Exhibition view
Exhibition view
Exhibition view
Exhibition view
Exhibition view
Exhibition view
Exhibition view
Exhibition view
Jean-Charles de Quillacq
Dead Mother New Problems, 2015
epoxy, metal handle, rubber band
64 x 19 x 7 cm
unique
Dead Mother New Problems, 2015
epoxy, metal handle, rubber band
64 x 19 x 7 cm
unique
Jean-Charles de Quillacq
Fraternité Passivité Bienvenue, 2016
screen print on mirror (in collaboration with Marie Proyart)
100 x 70 cm
ed 6 + 1
Exhibition view 'Je t'embrasse tous', Marcelle Alix, Paris, 2016 / Photo: Aurélien Mole
Fraternité Passivité Bienvenue, 2016
screen print on mirror (in collaboration with Marie Proyart)
100 x 70 cm
ed 6 + 1
Exhibition view 'Je t'embrasse tous', Marcelle Alix, Paris, 2016 / Photo: Aurélien Mole
Jean-Charles de Quillacq
Cigarette after sex, 2016
bread, tarbender®, paint
75 x 8 x 5 cm
unique
Exhibition view 'Je t'embrasse tous', Marcelle Alix, Paris, 2016 / Photo: Aurélien Mole
Cigarette after sex, 2016
bread, tarbender®, paint
75 x 8 x 5 cm
unique
Exhibition view 'Je t'embrasse tous', Marcelle Alix, Paris, 2016 / Photo: Aurélien Mole
Jean-Charles de Quillacq
A Personal Remembrance of Something I did not Experience, 2015
epoxy, clamp
190 x 91 x 210 cm
unique
Exhibition view: Villa Arson, Nice, 2016
A Personal Remembrance of Something I did not Experience, 2015
epoxy, clamp
190 x 91 x 210 cm
unique
Exhibition view: Villa Arson, Nice, 2016
Jean-Charles de Quillacq
In Search of a Good Stimulant, 2011
rolled c-print, six painted epoxy buckets, polystyrene
100 x 70 x 167 cm
unique
In Search of a Good Stimulant, 2011
rolled c-print, six painted epoxy buckets, polystyrene
100 x 70 x 167 cm
unique
Jean-Charles de Quillacq
Genealogical Chart, 2015
epoxy, mixed media
39 x 39 x 33 cm
unique
Exhibition view: Villa Arson, Nice, 2016. Photo Jean Brasille
Genealogical Chart, 2015
epoxy, mixed media
39 x 39 x 33 cm
unique
Exhibition view: Villa Arson, Nice, 2016. Photo Jean Brasille
Jean-Charles de Quillacq
Untitled (no devil beneath the sea), 2011
epoxy, broom
153 x 55 x 10 cm
unique
Untitled (no devil beneath the sea), 2011
epoxy, broom
153 x 55 x 10 cm
unique
Jean-Charles de Quillacq
Not the Reproduction of Something I Experienced Myself, 2011
metal, PVC, laquered epoxy, polystyrene
100 x 220 x 160 cm
unique
Exhibition view 'Je t'embrasse tous', Marcelle Alix, Paris, 2016. Photo: Aurélien Mole
Not the Reproduction of Something I Experienced Myself, 2011
metal, PVC, laquered epoxy, polystyrene
100 x 220 x 160 cm
unique
Exhibition view 'Je t'embrasse tous', Marcelle Alix, Paris, 2016. Photo: Aurélien Mole
Four years after The Cloven Viscount, the group show to which we'd invited Jean-Charles de Quillacq, we are reconnecting with him again as if reviving ties with a family member who's been away but remains a part of us. There probably is a common DNA binding Marcelle Alix to this artist; it pushes us to search for the similar in all of us, whatever our identities, affiliations, opinions or origins may be: an internal community, one made of guts and mucous membranes from which we can practice the compassion and kindness we seek, again and again.