artist
Jean-Charles de Quillacq
Dimwit, 2023
fibreglass, silicon, talc, gold chain, socks
112 x 42 cm
unique
Exhibition view 'Les poulains deviennent des chevaux', 2024. Photo : Aurélien Mole
Marcelle Alix, Paris.
fibreglass, silicon, talc, gold chain, socks
112 x 42 cm
unique
Exhibition view 'Les poulains deviennent des chevaux', 2024. Photo : Aurélien Mole
Marcelle Alix, Paris.
Dimwit, 2023
Mon Dimwit, 2023
Acrylic proof from a cast by Martin Laborde (2013), polystyrene
99 x 28 cm
unique
Exhibition view 'Les poulains deviennent des chevaux', 2024. Photo Aurélien Mole
Marcelle Alix, Paris.
Acrylic proof from a cast by Martin Laborde (2013), polystyrene
99 x 28 cm
unique
Exhibition view 'Les poulains deviennent des chevaux', 2024. Photo Aurélien Mole
Marcelle Alix, Paris.
Mon Dimwit, 2023
Smoking Bleaching, 2022
painted and burnt insulating material on acrylic pedestal, 4 elements
16 x 40 x 12 inches
unique
Exhibition view 'Les poulains deviennent des chevaux', 2024. Photo Nicolas Lafon
Marcelle Alix, Paris.
painted and burnt insulating material on acrylic pedestal, 4 elements
16 x 40 x 12 inches
unique
Exhibition view 'Les poulains deviennent des chevaux', 2024. Photo Nicolas Lafon
Marcelle Alix, Paris.
La même homosexuelle que la fois d'avant, 2023
paper, acetone, 3M Display Mount spray adhesive, scotch tape, Filmoplast p, India ink
27,2 x 40,4cm
37,5 x 51 x 3 cm
unique
Exhibition view 'Les poulains deviennent des chevaux', 2024. Photo Aurélien Mole
paper, acetone, 3M Display Mount spray adhesive, scotch tape, Filmoplast p, India ink
27,2 x 40,4cm
37,5 x 51 x 3 cm
unique
Exhibition view 'Les poulains deviennent des chevaux', 2024. Photo Aurélien Mole
Pros, 2023
paper, acetone, 3M Display Mount spray adhesive, scotch tape, Filmoplast p, India ink
27,5 x 39,3 cm
37,5 x 51 x 3 cm
unique
Exhibition view 'Les poulains deviennent des chevaux', 2024. Photo Aurélien Mole
paper, acetone, 3M Display Mount spray adhesive, scotch tape, Filmoplast p, India ink
27,5 x 39,3 cm
37,5 x 51 x 3 cm
unique
Exhibition view 'Les poulains deviennent des chevaux', 2024. Photo Aurélien Mole
Papa polysexuel, 2023
paper, acetone, 3M Display Mount spray adhesive, scotch tape, Filmoplast p, India ink, cigarette
29,5 x 41,3 cm
37,5 x 51 x 3 cm
unique
Exhibition view 'Les poulains deviennent des chevaux', 2024. Photo Aurélien Mole
paper, acetone, 3M Display Mount spray adhesive, scotch tape, Filmoplast p, India ink, cigarette
29,5 x 41,3 cm
37,5 x 51 x 3 cm
unique
Exhibition view 'Les poulains deviennent des chevaux', 2024. Photo Aurélien Mole
Coins, 2023
paper, acetone, 3M Display Mount spray adhesive, scotch tape, Filmoplast p, India ink
27,5 x 41 cm
37,5 x 51 x 3 cm
unique
Exhibition view 'Les poulains deviennent des chevaux', 2024. Photo Aurélien Mole
paper, acetone, 3M Display Mount spray adhesive, scotch tape, Filmoplast p, India ink
27,5 x 41 cm
37,5 x 51 x 3 cm
unique
Exhibition view 'Les poulains deviennent des chevaux', 2024. Photo Aurélien Mole
Ajay 98843, 2023
paper, acetone, 3M Display Mount spray adhesive, scotch tape, Filmoplast p, India ink
27,5 x 40,7 cm
37,5 x 51 x 3 cm
unique
Exhibition view 'Les poulains deviennent des chevaux', 2024. Photo Aurélien Mole
paper, acetone, 3M Display Mount spray adhesive, scotch tape, Filmoplast p, India ink
27,5 x 40,7 cm
37,5 x 51 x 3 cm
unique
Exhibition view 'Les poulains deviennent des chevaux', 2024. Photo Aurélien Mole
Ouverte (Jean), 2023
collage and acetone on poster
59,7 x 80 cm
unique
Exhibition view 'Les poulains deviennent des chevaux', 2024. Photo Nicolas Lafon
Marcelle Alix, Paris.
collage and acetone on poster
59,7 x 80 cm
unique
Exhibition view 'Les poulains deviennent des chevaux', 2024. Photo Nicolas Lafon
Marcelle Alix, Paris.
Ouverte (Jean), 2023
Le désir d'être ouverte, 2023
acetone on poster
59,7 x 80 cm
unique
Exhibition view 'Les poulains deviennent des chevaux', 2024. Photo Nicolas Lafon
Marcelle Alix, Paris.
acetone on poster
59,7 x 80 cm
unique
Exhibition view 'Les poulains deviennent des chevaux', 2024. Photo Nicolas Lafon
Marcelle Alix, Paris.
Ouverte, 2023
collage and acetone on poster
59,7 x 80 cm
unique
Exhibition view 'Les poulains deviennent des chevaux', 2024. Photo Nicolas Lafon
collage and acetone on poster
59,7 x 80 cm
unique
Exhibition view 'Les poulains deviennent des chevaux', 2024. Photo Nicolas Lafon
Ouverte, 2023
Ouverte (Pialat sous Price), 2023
drawing after Seth Price and acetone on poster
59,7 x 80 cm
unique
Exhibition view 'Les poulains deviennent des chevaux', 2024. Photo Aurélien Mole
Marcelle Alix, Paris.
drawing after Seth Price and acetone on poster
59,7 x 80 cm
unique
Exhibition view 'Les poulains deviennent des chevaux', 2024. Photo Aurélien Mole
Marcelle Alix, Paris.
Discomfort (les poulains), 2023
drawing after Seth Price and collage on paper
62 x 89 cm
unique
Exhibition view 'Les poulains deviennent des chevaux', 2024. Photo Aurélien Mole
Marcelle Alix, Paris.
drawing after Seth Price and collage on paper
62 x 89 cm
unique
Exhibition view 'Les poulains deviennent des chevaux', 2024. Photo Aurélien Mole
Marcelle Alix, Paris.
Cher Dimwit , 2023
Acrylic proof from a cast by Martin Laborde, (2013)
106 x 48 cm
unique
Exhibition view 'Les poulains deviennent des chevaux', 2024. Photo : Aurélien Mole et Nicolas Lafon
Marcelle Alix, Paris.
Acrylic proof from a cast by Martin Laborde, (2013)
106 x 48 cm
unique
Exhibition view 'Les poulains deviennent des chevaux', 2024. Photo : Aurélien Mole et Nicolas Lafon
Marcelle Alix, Paris.
Cher Dimwit , 2023
Photo : Nicolas Lafon
Photo : Nicolas Lafon
Cher Dimwit , 2023
Photo : Nicolas Lafon
Photo : Nicolas Lafon
Cher Dimwit , 2023
Photo : Nicolas Lafon
Photo : Nicolas Lafon
Cher Dimwit , 2023
Fuzetea, 2023
Jean-Charles de Quillacq' sweat, synthesised in the Coalesce BioArt Lab, University at Buffalo, New-York, 10 cl
15 x 39 cm
unique
Exhibition view 'Pros', 2023. Ampersand. Photo: Daniel Malhão
Jean-Charles de Quillacq' sweat, synthesised in the Coalesce BioArt Lab, University at Buffalo, New-York, 10 cl
15 x 39 cm
unique
Exhibition view 'Pros', 2023. Ampersand. Photo: Daniel Malhão
Bébé, 2020
Fiberglass, exposy resin, bleached betadine
74 x 52 x 19 cm
unique
Exhibition view, Frac Plateau 2021
Photo: Martin Argyroglo
Fiberglass, exposy resin, bleached betadine
74 x 52 x 19 cm
unique
Exhibition view, Frac Plateau 2021
Photo: Martin Argyroglo
Bébé, 2020
Exhibition view, Frac Plateau 2021
Photo: Martin Argyroglo
Exhibition view, Frac Plateau 2021
Photo: Martin Argyroglo
Bébé, 2020
Exhibition view, Frac Plateau 2021
Photo: Martin Argyroglo
Exhibition view, Frac Plateau 2021
Photo: Martin Argyroglo
Modifier ton body, 2021
Children mattress, silk, fiberglass, metal, epoxy, silicone, pigment, baby powder, plastic, urine, polyester resin
120 x 60 x 38 cm
unique
Exhibition view, Musée d'Art Moderne de Paris, 2021
photo: Aurélien Mole
Children mattress, silk, fiberglass, metal, epoxy, silicone, pigment, baby powder, plastic, urine, polyester resin
120 x 60 x 38 cm
unique
Exhibition view, Musée d'Art Moderne de Paris, 2021
photo: Aurélien Mole
Sirènes (d), 2012
acetone on magazine
73 x 42 cm
80 x 47,5 x 2,6 cm
unique
acetone on magazine
73 x 42 cm
80 x 47,5 x 2,6 cm
unique
Tableau généalogique, 2020
Acetone on paper
88 x 49 cm
unique
Acetone on paper
88 x 49 cm
unique
Se sentir physiquement inférieur, Se sentir socialement inférieur, 2021
Acrylic resin, silicone with talc, pigment, coton
30 (h) x 79 x 14 cm
unique
photo: Aurélien Mole for Marcelle Alix
Acrylic resin, silicone with talc, pigment, coton
30 (h) x 79 x 14 cm
unique
photo: Aurélien Mole for Marcelle Alix
Supersabotier, 2021
Water pump, home aquarium, artificial sweat, silicone, hair
50 (h) x 100 x 40 cm
unique
Exhibition view, Bremis Art Center, 2022
photo: Colin Conces
Water pump, home aquarium, artificial sweat, silicone, hair
50 (h) x 100 x 40 cm
unique
Exhibition view, Bremis Art Center, 2022
photo: Colin Conces
Supersabotier, 2021
Exhibition view, Musée d'Art Moderne de Paris, 2021
photo: Aurélien Mole
Exhibition view, Musée d'Art Moderne de Paris, 2021
photo: Aurélien Mole
Supersabotier, 2021
Exhibition view, Musée d'Art Moderne de Paris, 2021
photo: Aurélien Mole
Exhibition view, Musée d'Art Moderne de Paris, 2021
photo: Aurélien Mole
Une partie de la cuisine, 2021
Metal, silicone, plastic, cotton
100 x 109 x 52 cm
unique
Exhibition view, Musée d'Art Moderne de Paris, 2021
photo: Aurélien Mole
Metal, silicone, plastic, cotton
100 x 109 x 52 cm
unique
Exhibition view, Musée d'Art Moderne de Paris, 2021
photo: Aurélien Mole
Une partie de la cuisine, 2021
Exhibition view, Musée d'Art Moderne de Paris, 2021
photo: Aurélien Mole
Exhibition view, Musée d'Art Moderne de Paris, 2021
photo: Aurélien Mole
Le chien infini 1, 2019
Acetone on book page
29,7 x 42 cm
unique
photo : Aurélien Mole
Acetone on book page
29,7 x 42 cm
unique
photo : Aurélien Mole
Tu veux que je te regarde autre chose ?, 2021
Fiberglass, silicone, hair
86 x 27 x 34 cm
unique
Exhibition view 'Les Envoûtés', Musée d'Art Moderne de Paris, 2021 photo: Aurélien Mole
Fiberglass, silicone, hair
86 x 27 x 34 cm
unique
Exhibition view 'Les Envoûtés', Musée d'Art Moderne de Paris, 2021 photo: Aurélien Mole
Bébé, 2021
Painted metal, silicones
92 x 81 x 52 cm
unique
Exhibition view, Frac Plateau 2021
Photo: Martin Argyroglo
Painted metal, silicones
92 x 81 x 52 cm
unique
Exhibition view, Frac Plateau 2021
Photo: Martin Argyroglo
La boulangère, 2021
Fiberglass, silicone with baby powder, coton
50 x 38 x 23 cm
unique
Exhibition view, Musée d'Art Moderne de Paris, 2021
Photo : Aurélien Mole
Fiberglass, silicone with baby powder, coton
50 x 38 x 23 cm
unique
Exhibition view, Musée d'Art Moderne de Paris, 2021
Photo : Aurélien Mole
Alexa, 2021
Fiberglass, epoxy, silicone, pigment, baby powder, sneaker, sock
83 x 55 x 28 cm
unique
Exhibition view 'Les envoutées', Musée d'Art Moderne de Paris, 2021
photo: Aurélien Mole
Fiberglass, epoxy, silicone, pigment, baby powder, sneaker, sock
83 x 55 x 28 cm
unique
Exhibition view 'Les envoutées', Musée d'Art Moderne de Paris, 2021
photo: Aurélien Mole
Sirènes (c), 2012
acetone on magazine
73 x 42 cm
unique
acetone on magazine
73 x 42 cm
unique
Pierre, 2020
Silicone, fiberglass, resin, epoxy, metal, silver chain, tights
107 x 38 x 26 cm
unique
exhibition view at Cahn Contemporary, Bagnolet/ photo: Aurélien Mole
Silicone, fiberglass, resin, epoxy, metal, silver chain, tights
107 x 38 x 26 cm
unique
exhibition view at Cahn Contemporary, Bagnolet/ photo: Aurélien Mole
In Search of a Good Stimulant, 2011
rolled c-print, six painted epoxy buckets, polystyrene
100 x 70 x 167 cm
unique
rolled c-print, six painted epoxy buckets, polystyrene
100 x 70 x 167 cm
unique
Présentation du travail, 2020
performance over two chairs coated with Fa Yoghurt
unique
performance over two chairs coated with Fa Yoghurt
unique
Je suis la même homosexuelle que la fois d'avant, 2020
Support bar, resin, Tramadol, Lyrica 300 mg
68 x 4,5 x 4,5 cm
unique
photo: Aurélien Mole for Marcelle Alix
Support bar, resin, Tramadol, Lyrica 300 mg
68 x 4,5 x 4,5 cm
unique
photo: Aurélien Mole for Marcelle Alix
Les anneaux, 2020
Plastic handle bars, resin, urine, Tramadol, Lyrica 300 mg, Lamaline® suppositories
38 x 20 x 12 cm
unique
photo: Aurélien Mole for Marcelle Alix
Plastic handle bars, resin, urine, Tramadol, Lyrica 300 mg, Lamaline® suppositories
38 x 20 x 12 cm
unique
photo: Aurélien Mole for Marcelle Alix
Présentation du travail, 2020
Lead, acrylic resin, melamine table
107 x 41 x 11,5 cm
unique
exhibition view Marcelle Alix, Paris, 2020
photo: Aurélien Mole
Lead, acrylic resin, melamine table
107 x 41 x 11,5 cm
unique
exhibition view Marcelle Alix, Paris, 2020
photo: Aurélien Mole
Mon produit, 2020
Polyester resin, clothes, natural hair, Barrier® gloves, polyethylene
222 x 45 x 50 cm
unique
photo: Aurélien Mole for Marcelle Alix
Polyester resin, clothes, natural hair, Barrier® gloves, polyethylene
222 x 45 x 50 cm
unique
photo: Aurélien Mole for Marcelle Alix
Fumer Blanchir, 2020
Painted and burnt insulating material, 6 elements
unique
photo: Aurélien Mole for Marcelle Alix
Painted and burnt insulating material, 6 elements
unique
photo: Aurélien Mole for Marcelle Alix
Le chien infini 7, 2019 - 2020
Acetone on book page
7 x (29,7 x 42 cm)
unique
photo: Aurélien Mole for Marcelle Alix
Acetone on book page
7 x (29,7 x 42 cm)
unique
photo: Aurélien Mole for Marcelle Alix
Sirènes (a), 2012
acetone on magazine
73 x 42 cm
80 x 47,5 x 2,6 cm
ed 1
acetone on magazine
73 x 42 cm
80 x 47,5 x 2,6 cm
ed 1
Photo de casting, 2019
Laser print
22 x 31,7 cm
ed 5 + 1
Laser print
22 x 31,7 cm
ed 5 + 1
Méduse 1, 2019
Jellyfish, epoxy
39 x 7 x 9 cm
unique
photo : Aurélien Mole
Jellyfish, epoxy
39 x 7 x 9 cm
unique
photo : Aurélien Mole
Méduse 2, 2019
Jellyfish, epoxy, polystyrene box
39 x 7 x 9 cm
unique
photo : Aurélien Mole
Jellyfish, epoxy, polystyrene box
39 x 7 x 9 cm
unique
photo : Aurélien Mole
Phile 2, 2020
Leather, epoxy, urine
110 x 4 cm
unique
photo: Aurélien Mole for Marcelle Alix
Leather, epoxy, urine
110 x 4 cm
unique
photo: Aurélien Mole for Marcelle Alix
Le gens 2, 2020
Stretch film roll, iris juice
47 cm x diam. 6 cm
unique
photo: Aurélien Mole for Marcelle Alix
Stretch film roll, iris juice
47 cm x diam. 6 cm
unique
photo: Aurélien Mole for Marcelle Alix
Jeans, 2020
Fiberglass, jeans, sneakers, socks
31 x 52 x 39 cm
unique
Exhibition view 'autofonction', 2020. Photo Aurélien Mole Marcelle Alix, Paris, FR
Fiberglass, jeans, sneakers, socks
31 x 52 x 39 cm
unique
Exhibition view 'autofonction', 2020. Photo Aurélien Mole Marcelle Alix, Paris, FR
Photo de casting 2, 2020
Laser print
40 x 28,5 cm
ed 5 + 1
Laser print
40 x 28,5 cm
ed 5 + 1
Father polysexual, 2019
Aluminum, father's working trousers, paper cigarettes, plastic
73 x 80 x 25cm
unique
exhibition view, Bétonsalon, Paris, 2019 / photo: Aurélien Mole
Aluminum, father's working trousers, paper cigarettes, plastic
73 x 80 x 25cm
unique
exhibition view, Bétonsalon, Paris, 2019 / photo: Aurélien Mole
Swimming Home, 2019
Leather belt, epoxy
73 x 73 x 3 cm
unique
photo : Aurélien Mole
Leather belt, epoxy
73 x 73 x 3 cm
unique
photo : Aurélien Mole
Introducing my family, 2019
Wax model, clothes, plaster mask, hair, epoxy, aluminium, glove, acetone
135 x 102 x 80 cm
unique
exhibition view, Bétonsalon, Paris, 2019 / photo : Aurélien Mole
collection FRAC Ile de France/ Le Plateau, Paris
Wax model, clothes, plaster mask, hair, epoxy, aluminium, glove, acetone
135 x 102 x 80 cm
unique
exhibition view, Bétonsalon, Paris, 2019 / photo : Aurélien Mole
collection FRAC Ile de France/ Le Plateau, Paris
Group, 2019
Acrylic resin, sneakers, kneepad, nylon stocking, rubber boot found in the sea
79 x 40 x 44 cm
unique
exhibition view: Bétonsalon, Paris, 2019 / photo: Aurélien Mole
Acrylic resin, sneakers, kneepad, nylon stocking, rubber boot found in the sea
79 x 40 x 44 cm
unique
exhibition view: Bétonsalon, Paris, 2019 / photo: Aurélien Mole
Shopping, 2019
Epoxy resin, Tarbender, urine, wood table
340 x 94 x 70 cm
unique
exhibition view, Bétonsalon, Paris, 2019 / photo: Aurélien Mole
Epoxy resin, Tarbender, urine, wood table
340 x 94 x 70 cm
unique
exhibition view, Bétonsalon, Paris, 2019 / photo: Aurélien Mole
Portrait of my father sleeping, since 2003
Children matress, t-shirt, sheet
144 x 60 x 30 cm
unique
exhibition view: Bétonsalon, Paris, 2019 / photo: Aurélien Mole
Children matress, t-shirt, sheet
144 x 60 x 30 cm
unique
exhibition view: Bétonsalon, Paris, 2019 / photo: Aurélien Mole
Shower gels washer fluids, 2019
Glass, carglass washing liquid, Axe Collision shower gel (leather and cookies scent)
84 x 22 x 60 cm
unique
Exhibition view 'Ma système reproductive'. Bétonsalon, Paris / Photo : Aurélien Mole
Glass, carglass washing liquid, Axe Collision shower gel (leather and cookies scent)
84 x 22 x 60 cm
unique
Exhibition view 'Ma système reproductive'. Bétonsalon, Paris / Photo : Aurélien Mole
Mes Béchamel, 2018
rolled blankets, nose castings (plaster and alginate)
Variable dimensions
unique
exhibition view 'A cris ouverts' Les Ateliers de Rennes, 2018 / photo: Aurélien Mole
rolled blankets, nose castings (plaster and alginate)
Variable dimensions
unique
exhibition view 'A cris ouverts' Les Ateliers de Rennes, 2018 / photo: Aurélien Mole
It's not easy to be transitionnal, 2018
acetone on glossy paper
151,5 x 89 cm
unique
photo: Pierre Antoine/ La Galerie, Noisy-le-Sec, 2018
Paris Collections
acetone on glossy paper
151,5 x 89 cm
unique
photo: Pierre Antoine/ La Galerie, Noisy-le-Sec, 2018
Paris Collections
Ma langue me fait ça, 2017-2018
PVC, plastic, metal, leather, wood, silicone, acrylic resin, epoxy resin, socks, sneaker, cotton, nicotine,
variable dimensions
unique
exhibition view: La galerie de Noisy-le-Sec, 2017 / photo: Pierre Antoine
collection CNAP, Paris
PVC, plastic, metal, leather, wood, silicone, acrylic resin, epoxy resin, socks, sneaker, cotton, nicotine,
variable dimensions
unique
exhibition view: La galerie de Noisy-le-Sec, 2017 / photo: Pierre Antoine
collection CNAP, Paris
Philippa, 2017
Epoxy waxed resin, metal, rubber, ointment
380 x 25 x 80 cm
unique
Exhibition view 'A real boy', 2024. Chapelle des Petits-Augustins. Photo: Aurélien Mole
Production de La Galerie, Noisy-le-Sec
Epoxy waxed resin, metal, rubber, ointment
380 x 25 x 80 cm
unique
Exhibition view 'A real boy', 2024. Chapelle des Petits-Augustins. Photo: Aurélien Mole
Production de La Galerie, Noisy-le-Sec
Fork, 2017
metal, epoxy, polystyrene
115 x 116 x 292 cm
unique
metal, epoxy, polystyrene
115 x 116 x 292 cm
unique
Cigarette after sex, 2016
bread, tarbender®, paint
75 x 8 x 5 cm
unique
Exhibition view 'Je t'embrasse tous', Marcelle Alix, Paris, 2016 / Photo: Aurélien Mole
bread, tarbender®, paint
75 x 8 x 5 cm
unique
Exhibition view 'Je t'embrasse tous', Marcelle Alix, Paris, 2016 / Photo: Aurélien Mole
Mégot, 2016
bread, tarbender, paint
30 x 8 x 5 cm
unique
Exhibition view 'Je t'embrasse tous', Marcelle Alix, Paris, 2016 / Photo: Aurélien Mole
bread, tarbender, paint
30 x 8 x 5 cm
unique
Exhibition view 'Je t'embrasse tous', Marcelle Alix, Paris, 2016 / Photo: Aurélien Mole
Nabilla, 2016
chrome-plated metal
63 x 86 x 36 cm
unique
chrome-plated metal
63 x 86 x 36 cm
unique
Genealogical Chart, 2015
epoxy, mixed media
39 x 39 x 33 cm
unique
Exhibition view: Villa Arson, Nice, 2016. Photo Jean Brasille
epoxy, mixed media
39 x 39 x 33 cm
unique
Exhibition view: Villa Arson, Nice, 2016. Photo Jean Brasille
Fraternité Passivité Bienvenue, 2016
screen print on mirror (in collaboration with Marie Proyart)
100 x 70 cm
ed 6 + 1
Exhibition view 'Je t'embrasse tous', Marcelle Alix, Paris, 2016 / Photo: Aurélien Mole
screen print on mirror (in collaboration with Marie Proyart)
100 x 70 cm
ed 6 + 1
Exhibition view 'Je t'embrasse tous', Marcelle Alix, Paris, 2016 / Photo: Aurélien Mole
Les Petites Filles, 2015
C-Print under diasec
59 x 47 cm
ed 3 + 1
C-Print under diasec
59 x 47 cm
ed 3 + 1
Pistorius-san, 2015
epoxy
36 x 54 x 19 cm
unique
epoxy
36 x 54 x 19 cm
unique
My Sister's Blue Pants, 2015
epoxy on polypropylene, metal
118 x 46 x 40 cm
unique
epoxy on polypropylene, metal
118 x 46 x 40 cm
unique
Dead Mother New Problems, 2015
epoxy, metal handle, rubber band
64 x 19 x 7 cm
unique
epoxy, metal handle, rubber band
64 x 19 x 7 cm
unique
Le Garçon comme ma soeur comme je suis (2), 2015
framed print on baryté paper
174 x 130 cm
ed 3 + 1
Exhibition view: Villa Arson, Nice, 2016
framed print on baryté paper
174 x 130 cm
ed 3 + 1
Exhibition view: Villa Arson, Nice, 2016
A Personal Remembrance of Something I did not Experience, 2015
epoxy, clamp
190 x 91 x 210 cm
unique
Exhibition view: Villa Arson, Nice, 2016
epoxy, clamp
190 x 91 x 210 cm
unique
Exhibition view: Villa Arson, Nice, 2016
Quillacq Ouverte, 2010
paint and silkscreen on movie poster
160 x 120 cm
unique
paint and silkscreen on movie poster
160 x 120 cm
unique
No Devil Beneath the Sea (Laurence), 2014
epoxy on PVC
57 x 25 x 9 cm
unique
photo: Ghislain Amar
epoxy on PVC
57 x 25 x 9 cm
unique
photo: Ghislain Amar
Sister Circle Foot-san, 2013
painted metal
46 x 37 x 75 cm
unique
painted metal
46 x 37 x 75 cm
unique
Bread or Cigarettes, 2012
BIC blue Ink blown on epoxy
192 x 38 x 12 cm
unique
Exhibition view 'A real boy', 2024. Chapelle des Petits-Augustins. Photo: Aurélien Mole
BIC blue Ink blown on epoxy
192 x 38 x 12 cm
unique
Exhibition view 'A real boy', 2024. Chapelle des Petits-Augustins. Photo: Aurélien Mole
Not the Reproduction of Something I Experienced Myself, 2011
metal, PVC, laquered epoxy, polystyrene
100 x 220 x 160 cm
unique
Exhibition view 'Je t'embrasse tous', Marcelle Alix, Paris, 2016. Photo: Aurélien Mole
metal, PVC, laquered epoxy, polystyrene
100 x 220 x 160 cm
unique
Exhibition view 'Je t'embrasse tous', Marcelle Alix, Paris, 2016. Photo: Aurélien Mole
My Sister Like I Am, 2011
framed print on baryté paper
204 x 154 cm
ed 3 + 1
framed print on baryté paper
204 x 154 cm
ed 3 + 1
Untitled (no devil beneath the sea), 2011
epoxy, broom
153 x 55 x 10 cm
unique
epoxy, broom
153 x 55 x 10 cm
unique
Sister Circle Foot on Radiator, 2011
painted epoxy, metal, paper towels, heater
46 x 33 x 246 cm
unique
painted epoxy, metal, paper towels, heater
46 x 33 x 246 cm
unique
Biography
Born in 1979, Jean-Charles de Quillacq studied at ENSBA Lyon and at Weißensee Kunsthochschule Berlin. He lives in Sussac, Limousin and Zürich, Switzerland. Jean-Charles de Quillacq develops sets of sculptures that are both conceptual and fetishistic. He often shows them by inviting other people to take charge of exhibiting them, accepting a certain loss of control over the potential deviations that these collaborations could cause.
Since 2011, when he was a resident at the Rijksakademie in Amsterdam, Jean-Charles de Quillacq has been working with epoxy resin, which he tirelessly kneads like a "psychological material". He mixes it with other substances like nicotine, urine or Viagra, or blows blue ink from ballpoint pens into it. This demanding mouth-work underscores the performative aspect and the orality in a practice that has given rise to several performances. His work has been shown in solo exhibitions, including “Pros”, at Ampersand (Lisbon, 2023), “Ma sis t’aime reproductive”, à art3 (Valence, 2021), “Ma système reproductive” at Bétonsalon (Paris, 2019), “My Tongue Does This to Me”, with Hedwig Houben at La Galerie in Noisy-le-Sec (2018), “Getting a Younger Sister, Thinking to Myself” at the Swiss Art Awards, where he was one of the winners (Basel, 2017), “Je t’embrasse tous” and “Autofonction” both at Marcelle Alix gallery (Paris, 2016 and 2020), and “Four Works in a Rectangle”, Rote Fabrik (Zurich, 2012). He is currently a resident at Villa Medici in Rome.
(source: Fondation d'entreprise Ricard)