project

Sauvagerie sans nom

Marie Cool Fabio Balducci

25.04.2013 - 15.06.2013, opening 25.04.2013



Sauvagerie sans nom
Exhibition view
Sauvagerie sans nom
Exhibition view
Sauvagerie sans nom
Exhibition view
Sauvagerie sans nom
Exhibition view
Sauvagerie sans nom
Exhibition view
Sauvagerie sans nom
Exhibition view
Sauvagerie sans nom
Exhibition view
Sauvagerie sans nom
Exhibition view
Sauvagerie sans nom
Exhibition view
Sauvagerie sans nom
Exhibition view
Sauvagerie sans nom
Exhibition view
Sauvagerie sans nom
Exhibition view
Sauvagerie sans nom
Exhibition view
Untitled, 2002
Marie Cool Fabio Balducci
Untitled, 2002
sheet of paper A4, static electricity, table. Video: 4 min 02
ed 3 + 2
Untitled (notes for action), 2005-2010
Marie Cool Fabio Balducci
Untitled (notes for action), 2005-2010
various elements, pencil on paper, table (74x220x100 cm)
variable dimensions
ed 1 + 2
exhibition view: Sauvagerie sans nom, Marcelle Alix, Paris, 2013 / Photo: Aurélien Mole
Untitled, 2005/2013
Marie Cool Fabio Balducci
Untitled, 2005/2013
activity concentrated on a sheet of A4 paper, mixed media
3 x A4
unique
exhibition view: Sauvagerie sans nom, Marcelle Alix, Paris, 2013 / Photo: Aurélien Mole
Untitled, 2005/2013
Marie Cool Fabio Balducci
Untitled, 2005/2013
activity concentrated on a sheet of A4 paper, mixed media
2 x A4
unique
Exhibition view: Sauvagerie sans nom, Marcelle Alix, Paris, 2013 / Photo: Aurélien Mole
Untitled, 2005/2013
Marie Cool Fabio Balducci
Untitled, 2005/2013
activity concentrated on a sheet of A4 paper, mixed media
2 x A4
unique
exhibition view: Sauvagerie sans nom, Marcelle Alix, Paris, 2013 / Photo: Aurélien Mole


Faceless savagery

The grand logic behind the work of Marie Cool Fabio Balducci is an enigma that cannot be resolved in a single definition. It is a personal ethic, erected movement by movement through a very peculiar sociability, which could be thus devised: What distance should I maintain between the others and me to build an unalienating "living together", an unexiled loneliness? The actions and what comes of them (still objects or drawings in a broader sense) do not provide an answer. These shapes tell of a disciplined and self-sustaining life, which joins those whose desires are chained to the paradox of the tetherless freedom, to favour the Free Spirit, emancipated and uncluttered of itself.