project
Rushes
Ian Kiaer, Charlotte Moth
11.06.2015 - 25.07.2015, opening 11.06.2015
Exhibition view
Exhibition view
Exhibition view
Exhibition view
Charlotte Moth
Choreography of the image: filmic sketches, 2015
16mm film, digitally transferred
9 min 42
ed 5 + 1
collection MNAM/ Centre Pompidou, Paris
Choreography of the image: filmic sketches, 2015
16mm film, digitally transferred
9 min 42
ed 5 + 1
collection MNAM/ Centre Pompidou, Paris
Ian Kiaer
Tooth house, projection, 2015
video projection
1 min, loop
ed 3
exhibition view, Marcelle Alix, 2015
photo: Aurélien Mole
courtesy Marcelle Alix, Paris
Tooth house, projection, 2015
video projection
1 min, loop
ed 3
exhibition view, Marcelle Alix, 2015
photo: Aurélien Mole
courtesy Marcelle Alix, Paris
Ian Kiaer
Limp Oak, inflatable, 2015
plastic, fan, fluo lights, cement, video projection
variable dimensions
unique
exhibition view, Marcelle Alix, 2015
photo: Aurélien Mole
courtesy Marcelle Alix, Paris
Limp Oak, inflatable, 2015
plastic, fan, fluo lights, cement, video projection
variable dimensions
unique
exhibition view, Marcelle Alix, 2015
photo: Aurélien Mole
courtesy Marcelle Alix, Paris
Charlotte Moth
Backdrops, 2015
mirror, wood, wheels, aluminum-mounted litho and silkscreen print
table: (diam.) 56 x (H) 57 cm, print : 69 x 100 cm
ed 2 + 1
Exhibition view 'Rushes', Marcelle Alix, 2015 / photo: Aurélien Mole
Backdrops, 2015
mirror, wood, wheels, aluminum-mounted litho and silkscreen print
table: (diam.) 56 x (H) 57 cm, print : 69 x 100 cm
ed 2 + 1
Exhibition view 'Rushes', Marcelle Alix, 2015 / photo: Aurélien Mole
We've always tried to imagine dialogues between the artists of the gallery. Charlotte Moth and Ian Kiaer have in common a taste for the patient and careful study of buildings, archives and daring artifacts, geared towards others, designed for men and women who love light and hard lines but still, balanced by organic manifestations of all kinds that have been considered from the outset of projects. They are both engaged in quiet and horizontal practices which fragment their pieces out of a taste for freedom, for research or for experimentations that are at work during the initial display and remain so through out the pieces' lives--be it subject to alterations or not.