project
Révolte logique, Part II: Slave to Art
Mathieu Kleyebe Abonnenc, Iris Dittler, Sharon Hayes, Esther Kläs, Ernesto Sartori
21.11.2013 - 25.01.2014, opening 21.11.2013
Exhibition view
Exhibition view
Exhibition view
Exhibition view
Exhibition view
Exhibition view
Exhibition view
Exhibition view
Exhibition view
Exhibition view
Exhibition view
Exhibition view
Ernesto Sartori
SuperPangea #-,--(2), 2013
gouache on cardboard
41,3 x 51,3 cm, framed
unique
SuperPangea #-,--(2), 2013
gouache on cardboard
41,3 x 51,3 cm, framed
unique
Iris Dittler
Echoräume, 2013
plastic, steel, glass, wax, insulating material
variable dimensions
unique
Exhibition view, 'Révolte Logique, part II: Slave to Art', Marcelle Alix, Paris, 2013 / Photo: Aurél
Echoräume, 2013
plastic, steel, glass, wax, insulating material
variable dimensions
unique
Exhibition view, 'Révolte Logique, part II: Slave to Art', Marcelle Alix, Paris, 2013 / Photo: Aurél
Iris Dittler
Die Stehenden #1, 2011
steel
192 x 35 x 25 cm
unique
Exhibition view, 'Révolte Logique, part II: Slave to Art', Marcelle Alix, Paris, 2013 / Photo: Aurél
Die Stehenden #1, 2011
steel
192 x 35 x 25 cm
unique
Exhibition view, 'Révolte Logique, part II: Slave to Art', Marcelle Alix, Paris, 2013 / Photo: Aurél
Iris Dittler
Bodyscan #12, 2012
graphite en paper
A4
unique
Exhibition view, 'Révolte Logique, part II: Slave to Art', Marcelle Alix, Paris, 2013 / Photo: Aurél
Bodyscan #12, 2012
graphite en paper
A4
unique
Exhibition view, 'Révolte Logique, part II: Slave to Art', Marcelle Alix, Paris, 2013 / Photo: Aurél
Iris Dittler
Liegende, 2012-2013
3 elements: plastic, reflective plastic, latex, steel, brass
variable dimensions
unique
Exhibition view, 'Révolte Logique, part II: Slave to Art', Marcelle Alix, Paris, 2013 / Photo: Aurél
Exhibition view
Liegende, 2012-2013
3 elements: plastic, reflective plastic, latex, steel, brass
variable dimensions
unique
Exhibition view, 'Révolte Logique, part II: Slave to Art', Marcelle Alix, Paris, 2013 / Photo: Aurél
Exhibition view
Iris Dittler
Bodyscan #10, 2012
graphite en paper
A4
unique
Exhibition view, 'Révolte Logique, part II: Slave to Art', Marcelle Alix, Paris, 2013 / Photo: Aurél
Bodyscan #10, 2012
graphite en paper
A4
unique
Exhibition view, 'Révolte Logique, part II: Slave to Art', Marcelle Alix, Paris, 2013 / Photo: Aurél
Iris Dittler
Bodyscan #8, 2012
graphite en paper
A4
unique
Exhibition view, 'Révolte Logique, part II: Slave to Art', Marcelle Alix, Paris, 2013 / Photo: Aurél
Bodyscan #8, 2012
graphite en paper
A4
unique
Exhibition view, 'Révolte Logique, part II: Slave to Art', Marcelle Alix, Paris, 2013 / Photo: Aurél
Iris Dittler
Bodyscan #13, 2012
graphite on paper
A4
unique
Exhibition view, 'Révolte Logique, part II: Slave to Art', Marcelle Alix, Paris, 2013 / Photo: Aurél
Bodyscan #13, 2012
graphite on paper
A4
unique
Exhibition view, 'Révolte Logique, part II: Slave to Art', Marcelle Alix, Paris, 2013 / Photo: Aurél
Ernesto Sartori
SuperPangea #-,--(3), 2013
gouache on cardboard
51,3 x 41,3 cm, framed
unique
SuperPangea #-,--(3), 2013
gouache on cardboard
51,3 x 41,3 cm, framed
unique
Ernesto Sartori
SuperPangea #-,--(1), 2013
gouache on cardboard
41,3 x 51,3 cm, framed
unique
SuperPangea #-,--(1), 2013
gouache on cardboard
41,3 x 51,3 cm, framed
unique
Iris Dittler
Lauschen, 2011
ceramic, latex
2 x 14,5 cm
ed 10 + 2
Exhibition view, 'Révolte Logique, part II: Slave to Art', Marcelle Alix, Paris, 2013 / Photo: Aurél
Lauschen, 2011
ceramic, latex
2 x 14,5 cm
ed 10 + 2
Exhibition view, 'Révolte Logique, part II: Slave to Art', Marcelle Alix, Paris, 2013 / Photo: Aurél
En français plus bas
At one point during our conversation, he had said jokingly, 'Ah, but I have power over you?' Without thinking, I had answered, 'No, you don't, because I would never show you my work.'
Adrian Piper, Pontus Hulten's Slave to Art, 1982
So, we've travelled a long way since the first part of Télécharger le dossier de presse