remade
Charlotte Moth
13.02.2010 - 03.04.2010, opening 13.02.2010
Counter work two, Bloomberg Space, 2010
black and white analogue print
17 x 23.5 cm
29 x 35 cm
ed 3 + 1
Behind every surface there is a mystery: a hand that might emerge... version 3, 2010
Installation of a sequined curtain, custom made
variable dimensions
unique
photo: Aurélien Mole / © Marcelle Alix
Images for Maeve Connolly and Sadie Murdoch, 2010
24 black and white analogue photographs hand printed by the artist in a frame
12 x 17 cm each 98.5 x 90.5 framed
ed 3 + 1
photo: Aurélien Mole
collection FRAC Centre, Orléans
Counter work one, Schaufenster Project Space Dusseldorf, 2009
black and white analogue print
17 x 23.5 cm
29 x 35 cm
ed 3 + 1
Maeve Connolly, 2010
Black and white photo film with sound (English)
13 min 16
ed 3 + 1
exhibition view 'Remade', Marcelle Alix, 2010 / photo: Aurélien Mole
collection FRAC Centre, Orléans
Perhaps we should think of Charlotte Moth as someone who introduces the work to the beholder?like the figure of the admonisher in classical painting. Consider, then, a character located at the very edge of the canvas, straddling two different spaces: that of the beholder and that of the image. She looks out at and calls to the beholder, presenting him or her, not with a stable object, but with a situation that invites them to consider the work as unfolding in its entirety, backtracking to its beginnings, skipping forward to how it is reread and discussed.
<>The sequined curtain
The first curtain was made in the Schaufenster project space in Düsseldorf in March 2009 with the idea of the frame in mind. The space of the Schaufenster is a former display window. This situation made me think about what it meant to see something from just one side. About how something could work with a sense of surface that was both visible, (the back wall) and [...]