project
Plus de voix humaines, seulement le chant des oiseaux
Louise Hervé & Clovis Maillet
05.04.2018 - 26.05.2018, opening 05.04.2018
Exhibition view
Exhibition view
Exhibition view
Exhibition view
Exhibition view
Louise Hervé & Clovis Maillet
A Gift from the Kea (reconstruction) #7, 2018
Southern-hemisphere plant and glass
20 x 15 cm
unique
Exhibition view 'Plus de voix humaines, seulement le chant des oiseaux', 2018. Marcelle Alix, Paris.
Photo : Aurélien Mole
A Gift from the Kea (reconstruction) #7, 2018
Southern-hemisphere plant and glass
20 x 15 cm
unique
Exhibition view 'Plus de voix humaines, seulement le chant des oiseaux', 2018. Marcelle Alix, Paris.
Photo : Aurélien Mole
Louise Hervé & Clovis Maillet
A Gift from the Kea (reconstruction) #2, 2018
Southern-hemisphere plant and glass
27 x 18 cm
unique
Exhibition view 'Plus de voix humaines, seulement le chant des oiseaux', 2018. Marcelle Alix, Paris.
Photo : Aurélien Mole
A Gift from the Kea (reconstruction) #2, 2018
Southern-hemisphere plant and glass
27 x 18 cm
unique
Exhibition view 'Plus de voix humaines, seulement le chant des oiseaux', 2018. Marcelle Alix, Paris.
Photo : Aurélien Mole
Louise Hervé & Clovis Maillet
A Gift from the Kea (reconstruction) #6, 2018
Southern-hemisphere plant and glass
28 x 16 cm
unique
Exhibition view 'Plus de voix humaines, seulement le chant des oiseaux', 2018. Marcelle Alix, Paris.
Photo : Aurélien Mole
A Gift from the Kea (reconstruction) #6, 2018
Southern-hemisphere plant and glass
28 x 16 cm
unique
Exhibition view 'Plus de voix humaines, seulement le chant des oiseaux', 2018. Marcelle Alix, Paris.
Photo : Aurélien Mole
Louise Hervé & Clovis Maillet
A Gift from the Kea (reconstruction) #1, 2018
Southern-hemisphere plant and glass
28 x 18 cm
unique
Exhibition view 'Plus de voix humaines, seulement le chant des oiseaux', 2018. Marcelle Alix, Paris.
Photo : Aurélien Mole
A Gift from the Kea (reconstruction) #1, 2018
Southern-hemisphere plant and glass
28 x 18 cm
unique
Exhibition view 'Plus de voix humaines, seulement le chant des oiseaux', 2018. Marcelle Alix, Paris.
Photo : Aurélien Mole
Louise Hervé & Clovis Maillet
A Gift from the Kea, 2018
watercolors
3 x (21x29) cm
34 x 67,5 cm
unique
Exhibition view 'Plus de voix humaines, seulement le chant des oiseaux', 2018. Marcelle Alix, Paris.
Photo : Aurélien Mole
A Gift from the Kea, 2018
watercolors
3 x (21x29) cm
34 x 67,5 cm
unique
Exhibition view 'Plus de voix humaines, seulement le chant des oiseaux', 2018. Marcelle Alix, Paris.
Photo : Aurélien Mole
Louise Hervé & Clovis Maillet
A Gift from the Kea, 2018
watercolors
3 x (21 x 29) cm
34 x 67,5 cm
unique
Exhibition view 'Plus de voix humaines, seulement le chant des oiseaux', 2018. Marcelle Alix, Paris.
Photo : Aurélien Mole
A Gift from the Kea, 2018
watercolors
3 x (21 x 29) cm
34 x 67,5 cm
unique
Exhibition view 'Plus de voix humaines, seulement le chant des oiseaux', 2018. Marcelle Alix, Paris.
Photo : Aurélien Mole
Louise Hervé & Clovis Maillet
A Gift for the Kea, 2018
Under the Influence of Marisa Merz: crocheted sisal, hemp and paper/ Under the Influence of Man Ray: hangers, dada, jute/ Newton, Pandora, Sawyer: eth
tabletop diam.: 150 cm
unique
Exhibition view 'Plus de voix humaines, seulement le chant des oiseaux', 2018. Marcelle Alix, Paris.
A Gift for the Kea, 2018
Under the Influence of Marisa Merz: crocheted sisal, hemp and paper/ Under the Influence of Man Ray: hangers, dada, jute/ Newton, Pandora, Sawyer: eth
tabletop diam.: 150 cm
unique
Exhibition view 'Plus de voix humaines, seulement le chant des oiseaux', 2018. Marcelle Alix, Paris.
Louise Hervé & Clovis Maillet
Kiki e Manu, 2018
HD film and super 8
14'
ed 5 + 2
Kiki e Manu, 2018
HD film and super 8
14'
ed 5 + 2
"Trying to be (to follow) every animal, to curl up in the otherness from which their shape reaches us - that is to say, for instance, being very heavy or very light, perhaps flying, in the unexpected immensity of space, in the ephemeral: we cannot do so. It is a thought, just a thought, escapism from narrow-mindedness. However, what it implies - which is that every existence, origin and formation must be maintained in its access to openness and thus preserved -, may be captured differently than in passing."
Jean-Christophe Bailly, Le parti pris des animaux*