project
Margin of Safety
Mira Schor
14.03.2024 - 18.05.2024, opening 14.03.2024
Exhibition view
Exhibition view
Exhibition view
Exhibition view
Exhibition view
Exhibition view
Exhibition view
Exhibition view
Exhibition view
Mira Schor
'Power' Figure #15: Dear Thing, 2015
Charcoal, ink, and gesso on tracing paper
114,3 x 61 cm
unique
'Power' Figure #15: Dear Thing, 2015
Charcoal, ink, and gesso on tracing paper
114,3 x 61 cm
unique
!['Power' Figure #20: Dear Feminist Activist [white hair, 3 balls], 2015](http://marcellealix.com/cspdocs/artwork/images/mira_schor_marcelle_alix_2575.jpg)
Mira Schor
'Power' Figure #20: Dear Feminist Activist [white hair, 3 balls], 2015
Charcoal, ink, acrylic, and gesso on tracing paper
114,3 x 61 cm
unique
'Power' Figure #20: Dear Feminist Activist [white hair, 3 balls], 2015
Charcoal, ink, acrylic, and gesso on tracing paper
114,3 x 61 cm
unique
Mira Schor
'Power' Figure: Chaos, 2016
Ink, flashe paint, and gesso on tracing paper
162,6 x 61 cm
unique
'Power' Figure: Chaos, 2016
Ink, flashe paint, and gesso on tracing paper
162,6 x 61 cm
unique
Mira Schor
'Power' Figure: The Pugilists - Spin, 2016
Ink, flashe paint, and gesso on tracing paper
56,4 x 30 cm
unique
'Power' Figure: The Pugilists - Spin, 2016
Ink, flashe paint, and gesso on tracing paper
56,4 x 30 cm
unique
Mira Schor
'Power' Figure: Her, 2016
Ink, flashe paint, and gesso on tracing paper
57,2 x 30,5 cm
unique
'Power' Figure: Her, 2016
Ink, flashe paint, and gesso on tracing paper
57,2 x 30,5 cm
unique
Mira Schor
The Seamstresses, 2017
Oil paint, ink on gesso on canvas
40,6 x 50,8 cm
unique
Exhibition view 'Margin of Safety', 2024. Photo : Aurélien Mole
The Seamstresses, 2017
Oil paint, ink on gesso on canvas
40,6 x 50,8 cm
unique
Exhibition view 'Margin of Safety', 2024. Photo : Aurélien Mole
Mira Schor
War Frieze XIV: Margin of Safety, 1994
Oil on 7 linen canvases
7 x (30,5 x 40,6 cm)
unique
War Frieze XIV: Margin of Safety, 1994
Oil on 7 linen canvases
7 x (30,5 x 40,6 cm)
unique
Mira Schor
Slit on Snake, 1993
Oil on linen
40,6 x 50,8 cm
unique
Slit on Snake, 1993
Oil on linen
40,6 x 50,8 cm
unique
Mira Schor
Dress: Dark Fireworks, 1975
Gouache, dry pigment, and bronze powder on paper
78 x 40 inches
88 x 49 x 2.5 inches
unique
Photo : Charles Benton
Dress: Dark Fireworks, 1975
Gouache, dry pigment, and bronze powder on paper
78 x 40 inches
88 x 49 x 2.5 inches
unique
Photo : Charles Benton
Mira Schor
help help... help help, 2017
Oil, ink, and gesso on linen
14 x 18 inches
unique
Photo : Charles Benton
help help... help help, 2017
Oil, ink, and gesso on linen
14 x 18 inches
unique
Photo : Charles Benton
Mira Schor
Pandora's Book, 2021
Oil on canvas
18 x 24 inches
unique
Photo : Charles Benton
Pandora's Book, 2021
Oil on canvas
18 x 24 inches
unique
Photo : Charles Benton
Mira Schor
Flesh, 2020
Oil on linen
12 x 16 inches
unique
Photo : Charles Benton
Flesh, 2020
Oil on linen
12 x 16 inches
unique
Photo : Charles Benton
Mira Schor
Donnie's Got a Gun, 2018
Ink and oil on gessoed linen
12 x 16 inches
unique
Exhibition view 'Margin of Safety', 2024. Photo : Aurélien Mole
Donnie's Got a Gun, 2018
Ink and oil on gessoed linen
12 x 16 inches
unique
Exhibition view 'Margin of Safety', 2024. Photo : Aurélien Mole
Mira Schor
The Lowliest Assistant's Job, 2018
Ink, oil and gesso on linen
12 x 16 inches
unique
Photo : Charles Benton
The Lowliest Assistant's Job, 2018
Ink, oil and gesso on linen
12 x 16 inches
unique
Photo : Charles Benton
The second exhibition of an artist at the gallery brings with it a different joy than the first, which is entirely attached to the excitement of discovery. Today, it is more about reactivating the experience of visual pleasure and testing once again the thoughts and feelings that came along when in contact with the works. Living with them every day during the duration of a show allows us to confirm or refute certain intuitions in two simultaneous movements: we delve deeper into the artist's processes, and at the same time, this intimate knowledge enables us to develop our own relationship with the work, to understand "what it does to us."