project
Les articles indéfinis
Aurélien Froment
24.03.2011 - 21.05.2011, opening 23.03.2011
Exhibition view
Exhibition view
Exhibition view
Exhibition view
Exhibition view
Aurélien Froment
A Soleri Bell (Cosanti Originals), Scottsdale, juin 2002, 2011
silkscreen print on paper
160 x 120 cm
ed 14 + 2
A Soleri Bell (Cosanti Originals), Scottsdale, juin 2002, 2011
silkscreen print on paper
160 x 120 cm
ed 14 + 2
Aurélien Froment
La table rase, Arcosanti, juillet 2002, 2011
silkscreen print on paper
120 x 160 cm
ed 14 + 2
La table rase, Arcosanti, juillet 2002, 2011
silkscreen print on paper
120 x 160 cm
ed 14 + 2
Aurélien Froment
Tristan et Anisa, Arcosanti, 15 juillet 2002, 2011
silkscreen print on paper
160 x 120 cm
ed 14 + 2
Tristan et Anisa, Arcosanti, 15 juillet 2002, 2011
silkscreen print on paper
160 x 120 cm
ed 14 + 2
En français plus bas <> We aimed at approaching Aurélien Froment's work by using references which are not among those of the artist. These carefully-chosen references created an intertextuality which sparked commentary. The very space separating words and things-in other words, the sign-an important motif in Froment's art, inspired the following train of thought.
"I thought of Shônagon's list, of all those signs one has only to name to quicken the heart; just name... Here to place adjectives would be so rude as leaving price tags on purchases." Chris Marker, Sans Soleil, documentary (1983).