L'intruse
Rebecca Brewer, Liz Magor, Marie Voignier
14.11.2014 - 24.01.2015, opening 14.11.2014
The President was passionate about Hollywood cinema, 2014
HD video
8 min 39
ed 5 + 1
Alberta/Quebec, 2013
wool, fabric, thread, dye, plastic, metal and wood
133,35 x 53,98 x 7,62 cm
unique
Exhibition view 'L'Intruse', 2014. Marcelle Alix, Paris. Photo: Aurélien Mole
Phoenix, 2013
wool, cotton thread, mica flakes
146,05 x 55,88 x 12,7 cm
unique
Exhibition view 'L'Intruse', 2014. Marcelle Alix, Paris. Photo: Aurélien Mole
collection Lafayette Anticipation - Fonds de dotation Famille Moulin, Paris
Casual, 2012
platinum-cure silicone rubber
103 x 61 x 1 cm
unique
Exhibition view 'L'Intruse', 2014. Marcelle Alix, Paris. Photo: Aurélien Mole
collection privée, Paris
All The Names III, 2014
silicone, paper, fabric
21,5 x 37 x 62 cm
unique
Exhibition view 'L'Intruse', 2014. Marcelle Alix, Paris. Photo: Aurélien Mole
All The Names II, 2014
silicone, paper, fabric
24,5 x 33 x 42 cm
unique
Exhibition view 'L'Intruse', 2014. Marcelle Alix, Paris. Photo: Aurélien Mole
Backwords Glass, 2014
oil on panel
60 x 107 cm
unique
Exhibition view 'L'Intruse', 2014. Marcelle Alix, Paris. Photo: Aurélien Mole
Untitled, 2014
oil on felt
157,5 x 139,7 cm
unique
Exhibition view 'L'Intruse', 2014. Marcelle Alix, Paris. Photo: Aurélien Mole
collection Marcelle Alix, Paris
Bad Fortune, 2012
oil on panel
60 x 107 cm
unique
Exhibition view 'L'Intruse', 2014. Marcelle Alix, Paris. Photo: Aurélien Mole
By gathering Rebecca Brewer's, Liz Magor's and Marie Voignier's works, the exhibition we are building looks like these covers using the technique of patchwork quilt and its capacity to bring together heterogenous elements. The works presented in the exhibition are the results of a thought and practice of abstraction modulated by the contact with perceptible references, such as familiar or intimate objects. At the same time they remain sufficiently open to allow different potential readings and tune in with other nearby forms. If those works had arms, they would lock them together to intensify part of our memory and prevent repression or oblivion of any kind. Nothing could be sweeter than celebrating the gallery's fifth anniversary with this joyful and radically-open exhibition.