project

Humidor

Liz Magor

09.09.2016 - 29.10.2016



Humidor

photo : Aurélien Mole
Humidor

photo : Aurélien Mole
Humidor

photo : Aurélien Mole
Humidor

photo : Aurélien Mole
Humidor

photo : Aurélien Mole
Humidor

photo : Aurélien Mole
Humidor

photo : Aurélien Mole
Humidor

photo : Aurélien Mole
Humidor

photo : Aurélien Mole
Humidor

photo : Aurélien Mole
Humidor

photo : Aurélien Mole
Buckle, 2016
Liz Magor
Buckle, 2016
polymerized gypsum
250 x 109 x 18 cm
unique
view of the exhibition 'You be Frank, and I'll be Earnest', Glasgow Sculpture Studios, 2016
as originally commissioned by Glasgow Sculpture Studios
Party Pet, 2016
Liz Magor
Party Pet, 2016
polymerized gypsum
38 x 22 x 25 cm
unique
view of the exhibition 'You be Frank, and I'll be Earnest', Glasgow Sculpture Studios, 2016
as originally commissioned by Glasgow Scultpure Studios
Felt Family, 2016
Liz Magor
Felt Family, 2016
polymerized gypsum, wool, hair, plastic, metal
208 x 110 x 13 cm
unique
view of the exhibition 'You be Frank, and I'll be Earnest', Glasgow Sculpture Studios, 2016
as originally commissioned by Glasgow Scultpure Studios
Princes Street, 2016
Liz Magor
Princes Street, 2016
polymerized gypsum, plastic sheet, fabric, paper, leather
178 x 106 x 10 cm
unique
view of the exhibition 'You be Frank, and I'll be Earnest', Glasgow Sculpture Studios, 2016
as originally commissioned by Glasgow Scultpure Studios
Karl's Castle (4), 2003
Liz Magor
Karl's Castle (4), 2003
silver print, framed
51 x 40,5 cm
66 x 66 x 3,5 cm
ed 3
Karl's Castle (6), 2003
Liz Magor
Karl's Castle (6), 2003
silver print, framed
51 x 40,5 cm
66 x 66 x 3,5 cm
ed 3


It's a pleasure to spend two months dwelling by the quiet force of objects that do not impose their presence on us. Liz Magor's wall sculptures are delicate companions that teach us something every day about how we relate to the Other, whether human or not, animate or inanimate. Rather than telling us off, they guide us towards a symbiotic relationship along which old cardboard boxes and plastic bags affirm life within an entropic system; where the familiar, in the hands of the artist, unveils its regenerative potential, its infinite strength. The personal exhibition of Liz Magor that is ending this week at the Musée d'Art Contemporain in Montreal was entitled Habitude. There is no fatigue in the habits that Liz and the gallery?s artists approach here with us, these are bewitching rituals that dare to reach for the others by an accumulation and juxtaposition of points of view that make this place a home to our chosen family.