project

Entre ses mains

Donna Gottschalk, Liz Magor

13.03.2026 - 16.05.2026, opening 13.03.2026



Entre ses mains
Exhibition view
Entre ses mains
Exhibition view
Entre ses mains
Exhibition view
Entre ses mains
Exhibition view
Entre ses mains
Exhibition view
Entre ses mains
Exhibition view
Entre ses mains
Exhibition view
Entre ses mains
Exhibition view
Entre ses mains
Exhibition view
Entre ses mains
Exhibition view
Entre ses mains
Exhibition view
Entre ses mains
Exhibition view
Entre ses mains
Exhibition view
PUNCH (cobalt teal), 2026
Liz Magor
PUNCH (cobalt teal), 2026
polymerized gypsum, metal clip
55 x 26 x 19 cm
unique
Exhibition view 'entre ses mains' 2026, Marcelle Alix, Paris. Photo : Aurelien Mole
Self-portrait interuptus, Maine, 1976
Donna Gottschalk
Self-portrait interuptus, Maine, 1976
Gelatin silver print on paper
17,2 x 22 cm
20,3 x 25,3 cm
unique
PUNCH (benzi burnt orange), 2026
Liz Magor
PUNCH (benzi burnt orange), 2026
polymerized gypsum, metal clip
49 x 13.5 x 13.5 cm
unique
Exhibition view 'entre ses mains' 2026, Marcelle Alix, Paris. Photo : Aurelien Mole
PUNCH (phthalo green), 2026
Liz Magor
PUNCH (phthalo green), 2026
polymerized gypsum
51 x 26 x 20 cm
unique
Exhibition view 'entre ses mains' 2026, Marcelle Alix, Paris. Photo : Aurelien Mole
PUNCH (lemon yellow), 2026
Liz Magor
PUNCH (lemon yellow), 2026
polymerized gypsum
57 x 23 x 16 cm
unique
Exhibition view 'entre ses mains' 2026, Marcelle Alix, Paris. Photo : Aurelien Mole
Untitled, Sans date
Donna Gottschalk
Untitled, Sans date
Gelatin silver print on paper
19 x 19 cm
25,2 x 20,2 cm
unique
John and Chickie, NYC, 1977
Donna Gottschalk
John and Chickie, NYC, 1977
Gelatin silver print on paper
22 x 17,2 cm
25,7 x 20,3 cm
unique
Jill and Maria, 1974
Donna Gottschalk
Jill and Maria, 1974
Gelatin silver print on paper
18,2 x 11,9 cm
25,3 x 20,2 cm
unique
La Familia, Avenue C, NYC, 1971
Donna Gottschalk
La Familia, Avenue C, NYC, 1971
Gelatin silver print mounted on board
9,1 x 14 cm
unique
Vincent sleeping, E. 9th St., NYC, 1968
Donna Gottschalk
Vincent sleeping, E. 9th St., NYC, 1968
Gelatin silver print on paper
6,9 x 10,1 cm
8,3 x 11,5 cm
unique
Sally and Mama, 1973
Donna Gottschalk
Sally and Mama, 1973
gelatin silver print
20,7 x 14 cm
21,8 x 14,9 cm
unique
Peggy, fellow cabdriver, 1973
Donna Gottschalk
Peggy, fellow cabdriver, 1973
silver gelatin print
13,6 x 19,3 cm
12,8 x 18,5 cm
unique
Being This (Pink Shoes), 2012/2022
Liz Magor
Being This (Pink Shoes), 2012/2022
Paper, cardboard, textiles
39.5 x 24 x 54 cm
unique
Exhibition view 'Fresh from Failure', 2023. Marcelle Alix, Paris. Photo: Aurélien Mole
Being This (White Stars), 2012/2022
Liz Magor
Being This (White Stars), 2012/2022
paper, cardboard, textiles
62.2 x 24.8 x 43.8 cm
unique
Exhibition view 'Fresh from Failure', 2023. Marcelle Alix, Paris. Photo: Aurélien Mole
Open, 2018
Liz Magor
Open, 2018
Wool, polyester foil
56 x 146 x 20 cm
unique
Exhibition view 'Je t'épaule tu me respires', 2018. Marcelle Alix, Paris. Photo: Aurélien Mole
Donna with the Balloon man, Central Park, NYC, 1969
Donna Gottschalk
Donna with the Balloon man, Central Park, NYC, 1969
Gelatin silver print on paper
11,9 x 17,6 cm
11,9 x 17,6 cm
unique
Michelle, a bar tender at Maud's Bar, San Francisco, California, 1974-75
Donna Gottschalk
Michelle, a bar tender at Maud's Bar, San Francisco, California, 1974-75
Gelatin silver print on paper
11,3 x 16,6 cm
12,4 x 16,6 cm
unique
Helaine on her girlfriend's lap, Provincetown, Massachusetts, 1974
Donna Gottschalk
Helaine on her girlfriend's lap, Provincetown, Massachusetts, 1974
Gelatin silver print on paper
17,7 x 12 cm
18,2 x 12,4 cm
unique
Young Lesbian, Hope, Maine, 1976
Donna Gottschalk
Young Lesbian, Hope, Maine, 1976
Gelatin silver print on paper
10,5 x 15 cm
12,6 x 20,2 cm
unique
Mary's glamour shot, San Francisco, California, 1975
Donna Gottschalk
Mary's glamour shot, San Francisco, California, 1975
Gelatin silver print on paper
11,8 x 8 cm
13 x 9 cm
unique
Karl's Castle (6), 2003
Liz Magor
Karl's Castle (6), 2003
silver print, framed
51 x 40,5 cm
66 x 66 x 3,5 cm
ed 3


“(…) feminism has given me permission to be unsure, as well as digressive, unapologetic, and unauthoritative. It has helped me valorize detail, entertain the small stories and eschew the need to be at the front, or on top of, an art movement.”
Liz Magor in “a conversation with Liz Magor”, Subject to Change, Concordia University Press, 2023

“(...) there can be no possible innocence when one is a young girl, because being a young girl means being addressed; because being a young girl means that everything we do always signifies something that exceeds us, and that there will always be someone to misinterpret it; it means not being able to exist for oneself (...)”
Louise Chennevière, Pour Britney, POL editions, 2024