project
dans la tiédeur de la nuit
Michael Dean, Tirdad Hashemi, Mira Schor
12.12.2020 - 20.03.2021, opening 12.12.2020
Exhibition view
Exhibition view
Exhibition view
Exhibition view
Exhibition view
Exhibition view
Exhibition view
Michael Dean
get bye (Working Title), 2020
sand, glue, single bed fitted sheet on wood
92 x 126 cm
unique
Exhibition view 'Dans la tiédeur de la nuit', 2020. Marcelle Alix, Paris. Photo: Aurélien Mole
get bye (Working Title), 2020
sand, glue, single bed fitted sheet on wood
92 x 126 cm
unique
Exhibition view 'Dans la tiédeur de la nuit', 2020. Marcelle Alix, Paris. Photo: Aurélien Mole
Mira Schor
Rain, 1993
Oil on linen
30.5 x 40.6 cm
unique
Exhibition view 'Dans la tiédeur de la nuit', 2020. Marcelle Alix, Paris. Photo: Aurélien Mole
Rain, 1993
Oil on linen
30.5 x 40.6 cm
unique
Exhibition view 'Dans la tiédeur de la nuit', 2020. Marcelle Alix, Paris. Photo: Aurélien Mole
Mira Schor
Of, 1992
Oil on linen
40.6 x 50.8 cm
unique
Exhibition view 'Orbs and eclipses', 2022. Marcelle Alix, Paris. Photo: Aurélien Mole
Of, 1992
Oil on linen
40.6 x 50.8 cm
unique
Exhibition view 'Orbs and eclipses', 2022. Marcelle Alix, Paris. Photo: Aurélien Mole
Mira Schor
Patriotism - On the Blood of Women, 1989
Oil on canvas
40.6 x 50.8 cm
unique
Exhibition view 'Orbs and eclipses', 2022. Marcelle Alix, Paris. Photo: Aurélien Mole
Patriotism - On the Blood of Women, 1989
Oil on canvas
40.6 x 50.8 cm
unique
Exhibition view 'Orbs and eclipses', 2022. Marcelle Alix, Paris. Photo: Aurélien Mole
Mira Schor
'Power' Figure #16: Flesh, 2015
Charcoal, ink and gesso on tracing paper
114.3 x 61 cm
unique
'Power' Figure #16: Flesh, 2015
Charcoal, ink and gesso on tracing paper
114.3 x 61 cm
unique
Mira Schor
Dans la tiédeur de la nuit elle existe sans aucune caresse, 1971
Gouache on paper
56.5 x 77.5 cm
unique
Exhibition view 'Dans la tiédeur de la nuit', 2020. Marcelle Alix, Paris. Photo: Aurélien Mole
Dans la tiédeur de la nuit elle existe sans aucune caresse, 1971
Gouache on paper
56.5 x 77.5 cm
unique
Exhibition view 'Dans la tiédeur de la nuit', 2020. Marcelle Alix, Paris. Photo: Aurélien Mole
Michael Dean
laf cry (Working Title), 2020
sand, glue, single bed fitted sheet on wood
91 x 123 cm (196 with sheet droop)
unique
Exhibition view 'Dans la tiédeur de la nuit', 2020. Marcelle Alix, Paris. Photo: Aurélien Mole
laf cry (Working Title), 2020
sand, glue, single bed fitted sheet on wood
91 x 123 cm (196 with sheet droop)
unique
Exhibition view 'Dans la tiédeur de la nuit', 2020. Marcelle Alix, Paris. Photo: Aurélien Mole
Tirdad Hashemi
Lesbianism in public eye , 2019
Oil pastel
15 x 19 cm
26 x 30 cm
unique
photo : Aurélien Mole
Lesbianism in public eye , 2019
Oil pastel
15 x 19 cm
26 x 30 cm
unique
photo : Aurélien Mole
Tirdad Hashemi
Stubborn love , 2019
Oil pastel
15 x 19 cm
26 x 30 cm
unique
photo : Aurélien Mole
Stubborn love , 2019
Oil pastel
15 x 19 cm
26 x 30 cm
unique
photo : Aurélien Mole
Tirdad Hashemi
Honey fountain, 2019
Oil pastel
15 x 19 cm
26 x 30 cm
unique
photo : Aurélien Mole
Honey fountain, 2019
Oil pastel
15 x 19 cm
26 x 30 cm
unique
photo : Aurélien Mole
Tirdad Hashemi
Blue lust, 2019
Oil pastel
15 x 19 cm
26 x 30 cm
unique
Blue lust, 2019
Oil pastel
15 x 19 cm
26 x 30 cm
unique
Tirdad Hashemi
Vicious life of Friday nights , 2019
Oil pastel
15 x 19 cm
26 x 30 cm
unique
photo : Aurélien Mole
Vicious life of Friday nights , 2019
Oil pastel
15 x 19 cm
26 x 30 cm
unique
photo : Aurélien Mole
Tirdad Hashemi
Champagne showers, 2014
Mixed-media
18 x 28 cm
26 x 36 cm
unique
photo : Aurélien Mole
Champagne showers, 2014
Mixed-media
18 x 28 cm
26 x 36 cm
unique
photo : Aurélien Mole
Tirdad Hashemi
The trace of your red lipstick, Has now turned blood, Dripping into my eye., 2019
Mixed-media
42 x 59 cm
46 x 62 cm
unique
photo : Aurélien Mole
The trace of your red lipstick, Has now turned blood, Dripping into my eye., 2019
Mixed-media
42 x 59 cm
46 x 62 cm
unique
photo : Aurélien Mole
Tirdad Hashemi
Can i come back home mama ?, 2014
Mixed-media
30 x 40 cm
unique
Can i come back home mama ?, 2014
Mixed-media
30 x 40 cm
unique
"What the imprisoned and fallen aristocrat [Sade] and the creator of today [Guyotat] (...) have in common is the experience of downgrading, the awareness of rejection, the strange kinship between those who dismember flesh to create words and who destroy words to provoke the outbreak of new forms of expression and, in spite of censorship, the emergence of another culture." Michel Journiac