artist
Laura Lamiel
Dans les plis, 2023
Steel, cast iron feet, fabric, fluorescent tubes
Variable dimensions
unique
Exhibition view 'Vous les entendez?', 2023. Palais de Tokyo, Paris. Photo: Aurélien Mole
Steel, cast iron feet, fabric, fluorescent tubes
Variable dimensions
unique
Exhibition view 'Vous les entendez?', 2023. Palais de Tokyo, Paris. Photo: Aurélien Mole
Dans les plis, 2023
Laura Lamiel Dans les plis, 2023 Acier, pieds en fonte, tissu, tubes fluorescents Dimensions variables unique Exhibition view 'Vous les entendez?', 2023. Palais de Tokyo, Paris. Photo: Aurélien Mole
Laura Lamiel Dans les plis, 2023 Acier, pieds en fonte, tissu, tubes fluorescents Dimensions variables unique Exhibition view 'Vous les entendez?', 2023. Palais de Tokyo, Paris. Photo: Aurélien Mole
Dans les plis, 2023
Laura Lamiel Dans les plis, 2023 Acier, pieds en fonte, tissu, tubes fluorescents Dimensions variables unique Exhibition view 'Vous les entendez?', 2023. Palais de Tokyo, Paris. Photo: Aurélien Mole
Laura Lamiel Dans les plis, 2023 Acier, pieds en fonte, tissu, tubes fluorescents Dimensions variables unique Exhibition view 'Vous les entendez?', 2023. Palais de Tokyo, Paris. Photo: Aurélien Mole
Dans les plis, 2023
Laura Lamiel Dans les plis, 2023 Acier, pieds en fonte, tissu, tubes fluorescents Dimensions variables unique Exhibition view 'Vous les entendez?', 2023. Palais de Tokyo, Paris. Photo: Aurélien Mole
Laura Lamiel Dans les plis, 2023 Acier, pieds en fonte, tissu, tubes fluorescents Dimensions variables unique Exhibition view 'Vous les entendez?', 2023. Palais de Tokyo, Paris. Photo: Aurélien Mole
Dans les plis, 2023
Laura Lamiel Dans les plis, 2023 Acier, pieds en fonte, tissu, tubes fluorescents Dimensions variables unique Exhibition view 'Vous les entendez?', 2023. Palais de Tokyo, Paris. Photo: Aurélien Mole
Laura Lamiel Dans les plis, 2023 Acier, pieds en fonte, tissu, tubes fluorescents Dimensions variables unique Exhibition view 'Vous les entendez?', 2023. Palais de Tokyo, Paris. Photo: Aurélien Mole
La Mue, 2021-2023
Hydrophilic cotton coats, steel, glass, fluorescent tubes
Variable dimensions
unique
Exhibition view 'Vous les entendez?', 2023. Palais de Tokyo, Paris. Photo: Aurélien Mole
Hydrophilic cotton coats, steel, glass, fluorescent tubes
Variable dimensions
unique
Exhibition view 'Vous les entendez?', 2023. Palais de Tokyo, Paris. Photo: Aurélien Mole
La Mue, 2021-2023
La Mue, 2021-2023
Sans titre, 2023
Painting fixed under glass
180 x 120 cm
183 x 121 x 4 cm
unique
Exhibition view 'Vous les entendez?', 2023. Palais de Tokyo, Paris. Photo: Aurélien Mole
Painting fixed under glass
180 x 120 cm
183 x 121 x 4 cm
unique
Exhibition view 'Vous les entendez?', 2023. Palais de Tokyo, Paris. Photo: Aurélien Mole
Sans titre, 2023
De la page 3 à la page rouge, 2023
Painted books, mirrored plexiglass, various objects
Variable dimensions
unique
Exhibition view 'Vous les entendez?', 2023. Palais de Tokyo, Paris. Photo: Aurélien Mole
Painted books, mirrored plexiglass, various objects
Variable dimensions
unique
Exhibition view 'Vous les entendez?', 2023. Palais de Tokyo, Paris. Photo: Aurélien Mole
De la page 3 à la page rouge, 2023
De la page 3 à la page rouge, 2023
De la page 3 à la page rouge, 2023
De la page 3 à la page rouge, 2023
De la page 3 à la page rouge, 2023
Saint Jérôme, 2023
Copper, cast iron feet, fluorescent tubes
unique
Exhibition view 'Vous les entendez?', 2023. Palais de Tokyo, Paris. Photo: Aurélien Mole
Copper, cast iron feet, fluorescent tubes
unique
Exhibition view 'Vous les entendez?', 2023. Palais de Tokyo, Paris. Photo: Aurélien Mole
Atelier cerveau, 2023
Glass plates, metal, fluorescent tubes, various objects
Variable dimensions
unique
Exhibition view 'Vous les entendez?', 2023. Palais de Tokyo, Paris. Photo: Aurélien Mole
Glass plates, metal, fluorescent tubes, various objects
Variable dimensions
unique
Exhibition view 'Vous les entendez?', 2023. Palais de Tokyo, Paris. Photo: Aurélien Mole
Atelier cerveau, 2023
Atelier cerveau, 2023
Atelier cerveau, 2023
Atelier cerveau, 2023
Multitude, 2007
Video, colour, sound
50 min 38
unique
Exhibition view 'Vous les entendez?', 2023. Palais de Tokyo, Paris. Photo: Aurélien Mole
Video, colour, sound
50 min 38
unique
Exhibition view 'Vous les entendez?', 2023. Palais de Tokyo, Paris. Photo: Aurélien Mole
Multitude, 2007
Kokopelli, 2023
Wood and items from the artist's collection
196,5 x 95 x 7 cm
unique
Exhibition view 'Ursule', 2023. Marcelle Alix, Paris. Photo : Nicolas Lafon
Wood and items from the artist's collection
196,5 x 95 x 7 cm
unique
Exhibition view 'Ursule', 2023. Marcelle Alix, Paris. Photo : Nicolas Lafon
Kokopelli, 2023
Kokopelli, 2023
Kokopelli, 2023
Kokopelli, 2023
Rien n'est à faire tout est à défaire, 2023
Steel, cast iron feet, fabric, fluorescent tubes
160,5 x 304 x 20,2 cm
unique
Exhibition view 'Ursule', 2023. Marcelle Alix, Paris. Photo : Nicolas Lafon
Steel, cast iron feet, fabric, fluorescent tubes
160,5 x 304 x 20,2 cm
unique
Exhibition view 'Ursule', 2023. Marcelle Alix, Paris. Photo : Nicolas Lafon
Rien n'est à faire tout est à défaire, 2023
Rien n'est à faire tout est à défaire, 2023
Rien n'est à faire tout est à défaire, 2023
Rien n'est à faire tout est à défaire, 2023
Rien n'est à faire tout est à défaire, 2023
Rien n'est à faire tout est à défaire, 2023
Rien n'est à faire tout est à défaire, 2023
Rien n'est à faire tout est à défaire, 2023
Ursule (2), 2023
Enameled steel, fluorescent tubes, cotton coat, mixed media on paper, items from the artist's collection
Variable dimensions
unique
Exhibition view 'Ursule', 2023. Marcelle Alix, Paris. Photo : Nicolas Lafon
Enameled steel, fluorescent tubes, cotton coat, mixed media on paper, items from the artist's collection
Variable dimensions
unique
Exhibition view 'Ursule', 2023. Marcelle Alix, Paris. Photo : Nicolas Lafon
Ursule (2), 2023
Ursule (2), 2023
Ursule (2), 2023
Ursule (2), 2023
Ursule (2), 2023
Ursule (2), 2023
Ursule (2), 2023
Ursule (2), 2023
Ursule (2), 2023
Ursule (2), 2023
Ursule (2), 2023
Je peux encore apprendre quelque chose ce soir, 2023
Wood, steel, enameled steel, drawings and items from the artist's collection
76 x 175,5 x 67 cm
unique
Exhibition view 'Ursule', 2023. Marcelle Alix, Paris. Photo : Nicolas Lafon
Wood, steel, enameled steel, drawings and items from the artist's collection
76 x 175,5 x 67 cm
unique
Exhibition view 'Ursule', 2023. Marcelle Alix, Paris. Photo : Nicolas Lafon
Je peux encore apprendre quelque chose ce soir, 2023
Je peux encore apprendre quelque chose ce soir, 2023
Je peux encore apprendre quelque chose ce soir, 2023
Je peux encore apprendre quelque chose ce soir, 2023
Je peux encore apprendre quelque chose ce soir, 2023
Les Passeurs, 2010
Digitally transferred VHS tape, color, sound
39 min 33
unique
Exhibition view 'Ursule', 2023. Marcelle Alix, Paris.
Digitally transferred VHS tape, color, sound
39 min 33
unique
Exhibition view 'Ursule', 2023. Marcelle Alix, Paris.
Territoires intimes, 2020
Mixed media on paper
51 x 41cm
unique
Photo : Nicolas Lafon
Mixed media on paper
51 x 41cm
unique
Photo : Nicolas Lafon
Territoires intimes, 2021
Mixed media on paper
51 x 41cm
unique
Photo : Nicolas Lafon
Mixed media on paper
51 x 41cm
unique
Photo : Nicolas Lafon
Territoires intimes, 2020-2022
Mixed media on paper
51 x 41cm
unique
Photo : Nicolas Lafon
Mixed media on paper
51 x 41cm
unique
Photo : Nicolas Lafon
Du miel sur un couteau / Honey on a knife, 2021-2023
Glass, mirror, raw steel chair, fluorescent tubes, various objects from the artist?s collection and five archaeological objects from Jean-David Cahn?s
variable dimensions
unique
Exhibition view 'Vous les entendez?', 2023. Palais de Tokyo, Paris. Photo: Aurélien Mole
Glass, mirror, raw steel chair, fluorescent tubes, various objects from the artist?s collection and five archaeological objects from Jean-David Cahn?s
variable dimensions
unique
Exhibition view 'Vous les entendez?', 2023. Palais de Tokyo, Paris. Photo: Aurélien Mole
Du miel sur un couteau / Honey on a knife, 2021-2023
Du miel sur un couteau / Honey on a knife, 2021-2023
Du miel sur un couteau / Honey on a knife, 2021-2023
Du miel sur un couteau / Honey on a knife, 2021-2023
Du miel sur un couteau / Honey on a knife, 2021-2023
Du miel sur un couteau / Honey on a knife, 2021-2023
Les yeux de W (1), 2018
Steel, one-way mirrors, copper table, artefacts from the artist's collection, enamelled steel units, fluorescent tubes
190 × 200 × 160 cm
unique
Exhibition view 'Vous les entendez?', 2023. Palais de Tokyo, Paris. Photo: Aurélien Mole
Production CRAC Occitanie, Sète
Steel, one-way mirrors, copper table, artefacts from the artist's collection, enamelled steel units, fluorescent tubes
190 × 200 × 160 cm
unique
Exhibition view 'Vous les entendez?', 2023. Palais de Tokyo, Paris. Photo: Aurélien Mole
Production CRAC Occitanie, Sète
Les yeux de W (1), 2018
Les yeux de W (1), 2018
Les yeux de W (1), 2018
Le regard détourné, 2000-2022
Carpet, copper, rubber, steel bench and fluorescent tube
182 x 73 x 58 cm
unique
Exhibition view 'Qui montent de la terre (Rising from the Earth)', 2022. Marcelle Alix, Paris. Photo
Carpet, copper, rubber, steel bench and fluorescent tube
182 x 73 x 58 cm
unique
Exhibition view 'Qui montent de la terre (Rising from the Earth)', 2022. Marcelle Alix, Paris. Photo
Le regard détourné, 2000-2022
exhibition view, Marcelle Alix, Paris, 2022
photo: Aurélien Mole
exhibition view, Marcelle Alix, Paris, 2022
photo: Aurélien Mole
Un chant d'amour, 2019-2022
Steel, one-way mirrors, copper table, artefacts from the artist's collection, raw steel units, fluorescent tubes.
190 × 200 × 160 cm
unique
Exhibition view: Coimbra Biennial of Contemporary Art, 2022/ photo: Jorge das Neves
Steel, one-way mirrors, copper table, artefacts from the artist's collection, raw steel units, fluorescent tubes.
190 × 200 × 160 cm
unique
Exhibition view: Coimbra Biennial of Contemporary Art, 2022/ photo: Jorge das Neves
Un chant d'amour, 2019-2022
Exhibition view Cahn Kunstraum, Basel, CH, photo: Serge Hasenboehler
Exhibition view Cahn Kunstraum, Basel, CH, photo: Serge Hasenboehler
Un chant d'amour, 2019-2022
Exhibition view Cahn Kunstraum, Basel, CH, photo: Serge Hasenboehler
Exhibition view Cahn Kunstraum, Basel, CH, photo: Serge Hasenboehler
Un chant d'amour, 2019-2022
Exhibition view Cahn Kunstraum, Basel, CH, photo: Serge Hasenboehler
Exhibition view Cahn Kunstraum, Basel, CH, photo: Serge Hasenboehler
Un chant d'amour, 2019-2022
Exhibition view Cahn Kunstraum, Basel, CH, photo: Serge Hasenboehler
Exhibition view Cahn Kunstraum, Basel, CH, photo: Serge Hasenboehler
Ursule (1), 2022
Enameled steel, fluorescent tubes, cotton coat, mixed media on paper, items from the artist's collection
180 x 225 x 175 cm (variable dimensions depending on the exhibition space)
unique
photo : Aurélien Mole
Enameled steel, fluorescent tubes, cotton coat, mixed media on paper, items from the artist's collection
180 x 225 x 175 cm (variable dimensions depending on the exhibition space)
unique
photo : Aurélien Mole
Ursule (1), 2022
Exhibition view Art dans les Chapelles, Melrand, 2022 / Photo : Aurélien Mole
Exhibition view Art dans les Chapelles, Melrand, 2022 / Photo : Aurélien Mole
Ursule (1), 2022
Exhibition view Art dans les Chapelles, Melrand, 2022 / Photo : Aurélien Mole
Exhibition view Art dans les Chapelles, Melrand, 2022 / Photo : Aurélien Mole
Untitled, 2000-2021
Steel bars, wood, fluorescent tube
250 × 250 × 30 cm
unique
Exhibition view Cahn Kunstraum, Basel, CH, photo: Serge Hasenboehler
Steel bars, wood, fluorescent tube
250 × 250 × 30 cm
unique
Exhibition view Cahn Kunstraum, Basel, CH, photo: Serge Hasenboehler
Ring, 2020
Various elements, wood, enamelled steel, fluorescent, cotton, leather
100 x 350 x 250 cm
unique
Exhibition view at Capc Musée d'art contemporain de Bordeaux, Photo: Arthur Péquin
Various elements, wood, enamelled steel, fluorescent, cotton, leather
100 x 350 x 250 cm
unique
Exhibition view at Capc Musée d'art contemporain de Bordeaux, Photo: Arthur Péquin
J'ai vu les buffles d'eau, 2019
Tempered glass, paintings fixed under glass, metal frames, fluorescent tubes, books, cactus and plant moss, suitcases, objects from the artist's colle
Variable dimensions
unique
Exhibition view at Palais de Tokyo
photo : Aurélien Mole / Nikolai Jakobsen
Production Palais de Tokyo, Paris
Tempered glass, paintings fixed under glass, metal frames, fluorescent tubes, books, cactus and plant moss, suitcases, objects from the artist's colle
Variable dimensions
unique
Exhibition view at Palais de Tokyo
photo : Aurélien Mole / Nikolai Jakobsen
Production Palais de Tokyo, Paris
J'ai vu les buffles d'eau, 2019
exhibitions views at the Palais de Tokyo, 2019
exhibitions views at the Palais de Tokyo, 2019
J'ai vu les buffles d'eau, 2019
exhibitions views at the Palais de Tokyo, 2019
exhibitions views at the Palais de Tokyo, 2019
J'ai vu les buffles d'eau, 2019
exhibitions views at the Palais de Tokyo, 2019
exhibitions views at the Palais de Tokyo, 2019
J'ai vu les buffles d'eau, 2019
exhibitions views at the Palais de Tokyo, 2019
exhibitions views at the Palais de Tokyo, 2019
J'ai vu les buffles d'eau, 2019
exhibitions views at the Palais de Tokyo, 2019
exhibitions views at the Palais de Tokyo, 2019
J'ai vu les buffles d'eau, 2019
Exhibition view Cahn Kunstraum, Basel, CH, photo: Serge Hasenboehler
Exhibition view Cahn Kunstraum, Basel, CH, photo: Serge Hasenboehler
J'ai vu les buffles d'eau, 2019
Exhibition view Cahn Kunstraum, Basel, CH, photo: Serge Hasenboehler
Exhibition view Cahn Kunstraum, Basel, CH, photo: Serge Hasenboehler
Popote, 1997-2019
wood, lacquered wood, various material
243 x 243 x 243 cm
unique
Exhibition view at CRAC Occitanie Sète, photo: Marc Domage
wood, lacquered wood, various material
243 x 243 x 243 cm
unique
Exhibition view at CRAC Occitanie Sète, photo: Marc Domage
Forclose 1, 2017 - 2018
Enamelled steel, fluorescent tubes, cables, clamps, drawing, gluing, plexiglass, gloves, wood, fabrics, various objects
85 × 205 × 88 cm
unique
Exhibition view at CRAC Occitanie Sète, photo: Marc Domage
Production CRAC Occitanie, Sète (FR)
Enamelled steel, fluorescent tubes, cables, clamps, drawing, gluing, plexiglass, gloves, wood, fabrics, various objects
85 × 205 × 88 cm
unique
Exhibition view at CRAC Occitanie Sète, photo: Marc Domage
Production CRAC Occitanie, Sète (FR)
L'espace du dedans (séquence 3), 2014 - 2018
Copper, wood, leather suitcases, wooden boxes, photographs, drawings, enamelled steel, fluorescent tubes, various elements
dimensions variable
unique
Exhibition view at CRAC Occitanie Sète, photo: Marc Domage
Production CRAC Occitanie, Sète
Copper, wood, leather suitcases, wooden boxes, photographs, drawings, enamelled steel, fluorescent tubes, various elements
dimensions variable
unique
Exhibition view at CRAC Occitanie Sète, photo: Marc Domage
Production CRAC Occitanie, Sète
L'espace du dedans (séquence 3), 2014 - 2018
L'espace du dedans (séquence 3), 2014 - 2018
L'espace du dedans (séquence 3), 2014 - 2018
A blanc, 2017
Enamelled steel, fluo tubes, cables, clamps, drawing, plexiglass, gloves, wood, fabric, various objects
210 x 127 x 127 cm
unique
Exhibition view at CRAC Occitanie Sète, photo: Marc Domage
Enamelled steel, fluo tubes, cables, clamps, drawing, plexiglass, gloves, wood, fabric, various objects
210 x 127 x 127 cm
unique
Exhibition view at CRAC Occitanie Sète, photo: Marc Domage
The Wall, 2000-2017
Enameled metal bricks, wood bricks, neon, enameled metal chair, leather jacket, various objects in wood, plaster, rubber, fabric, cotton, resin, felt
Variable dimensions
unique
Exhibition view Konsthall Malmö, photo: Jenny Ekholm
Enameled metal bricks, wood bricks, neon, enameled metal chair, leather jacket, various objects in wood, plaster, rubber, fabric, cotton, resin, felt
Variable dimensions
unique
Exhibition view Konsthall Malmö, photo: Jenny Ekholm
Untitled, 1997-2017
wood, lacquered wood, copper
about 205 x 103 x 30 cm
unique
photo : Aurélien Mole
wood, lacquered wood, copper
about 205 x 103 x 30 cm
unique
photo : Aurélien Mole
Passageway, 2016
aluminium, copper, rubber, shoes, chair, 43 frames (15 drawings), mirrors, other various objects
variable dimensions
unique
Exhibition view 'Rennes Biennial', 2016, Photo: Aurélien Mole
aluminium, copper, rubber, shoes, chair, 43 frames (15 drawings), mirrors, other various objects
variable dimensions
unique
Exhibition view 'Rennes Biennial', 2016, Photo: Aurélien Mole
Passageway, 2016
Passageway, 2016
aluminium, copper, rubber, shoes, chair, framed drawings & photographs, mirrors, others various objects
variables dimensions
unique
Exhibition view 'Rennes Biennial', 2016, photo: Aurélien Mole
Passageway, 2016
aluminium, copper, rubber, shoes, chair, framed drawings & photographs, mirrors, others various objects
variables dimensions
unique
Exhibition view 'Rennes Biennial', 2016, photo: Aurélien Mole
Passageway, 2016
Passageway, 2016
aluminium, copper, rubber, shoes, chair, framed drawings & photographs, mirrors, others various objects
variables dimensions
unique
Exhibition view 'Rennes Biennial', 2016, photo: Aurélien Mole
Passageway, 2016
aluminium, copper, rubber, shoes, chair, framed drawings & photographs, mirrors, others various objects
variables dimensions
unique
Exhibition view 'Rennes Biennial', 2016, photo: Aurélien Mole
Passageway, 2016
Passageway, 2016
aluminium, copper, rubber, shoes, chair, framed drawings & photographs, mirrors, others various objects
variables dimensions
unique
Exhibition view 'Rennes Biennial', photo: Aurélien Mole
Passageway, 2016
aluminium, copper, rubber, shoes, chair, framed drawings & photographs, mirrors, others various objects
variables dimensions
unique
Exhibition view 'Rennes Biennial', photo: Aurélien Mole
Chambre de capture (1), 2015
enameled steel, wool, wood, fluo tubes, plexiglas
150x 190 x 150 cm
unique
Exhibition view 'Chambres de capture', 2015. La Verrière - Fondation Hermès, photo: Isabelle Arthui
enameled steel, wool, wood, fluo tubes, plexiglas
150x 190 x 150 cm
unique
Exhibition view 'Chambres de capture', 2015. La Verrière - Fondation Hermès, photo: Isabelle Arthui
Chambre de capture (2), 2015
enameled steel, leather, wood, cotton, lamps, plexiglas, various objects
145 x 165 x 135 cm
unique
Exhibition view 'Chambres de capture', 2015. La Verrière - Fondation Hermès, photo: Isabelle Arthui
enameled steel, leather, wood, cotton, lamps, plexiglas, various objects
145 x 165 x 135 cm
unique
Exhibition view 'Chambres de capture', 2015. La Verrière - Fondation Hermès, photo: Isabelle Arthui
Figure: Light Situation, 2014
enameled steel, fluorescent lights, bucket
210 x 120 x 127cm
unique
Exhibition view 'Light situations', 2014. Kunstverein Langenhagen, photo: Christian Dootz
enameled steel, fluorescent lights, bucket
210 x 120 x 127cm
unique
Exhibition view 'Light situations', 2014. Kunstverein Langenhagen, photo: Christian Dootz
Par ordre d'apparition, 2013
various elements: chair, neon tubes, mirrors, metal, leather briefcases, enameled silkscreened steel
210 x 125 x 130 cm
unique
exhibition view 'Bonjour tristesse, désir, ennui, appétit, plaisir', La Galerie Art Center, Noisy-le
various elements: chair, neon tubes, mirrors, metal, leather briefcases, enameled silkscreened steel
210 x 125 x 130 cm
unique
exhibition view 'Bonjour tristesse, désir, ennui, appétit, plaisir', La Galerie Art Center, Noisy-le
Par ordre d'apparition, 2013
Par ordre d'apparition
various elements: chair, neon tubes, mirrors, metal, leather briefcases, enameled silkscreened steel
210 x 125 x 130 cm
unique
exhibition view 'Bonjour tristesse, désir, ennui, appétit, plaisir', La Galerie Art Cente
Par ordre d'apparition
various elements: chair, neon tubes, mirrors, metal, leather briefcases, enameled silkscreened steel
210 x 125 x 130 cm
unique
exhibition view 'Bonjour tristesse, désir, ennui, appétit, plaisir', La Galerie Art Cente
Par ordre d'apparition, 2013
Par ordre d'apparition
various elements: chair, neon tubes, mirrors, metal, leather briefcases, enameled silkscreened steel
210 x 125 x 130 cm
unique
exhibition view 'Bonjour tristesse, désir, ennui, appétit, plaisir', La Galerie Art Cente
Par ordre d'apparition
various elements: chair, neon tubes, mirrors, metal, leather briefcases, enameled silkscreened steel
210 x 125 x 130 cm
unique
exhibition view 'Bonjour tristesse, désir, ennui, appétit, plaisir', La Galerie Art Cente
Par ordre d'apparition, 2013
Par ordre d'apparition
various elements: chair, neon tubes, mirrors, metal, leather briefcases, enameled silkscreened steel
210 x 125 x 130 cm
unique
exhibition view 'Bonjour tristesse, désir, ennui, appétit, plaisir', La Galerie Art Cente
Par ordre d'apparition
various elements: chair, neon tubes, mirrors, metal, leather briefcases, enameled silkscreened steel
210 x 125 x 130 cm
unique
exhibition view 'Bonjour tristesse, désir, ennui, appétit, plaisir', La Galerie Art Cente
Les lacs de lait doré (2) , 2013
brass, various elements, electrical engine
200 x 200 x 20 cm
unique
exhibition view MAC/VAL, Vitry-sur-Seine, photo: Marc Domage
brass, various elements, electrical engine
200 x 200 x 20 cm
unique
exhibition view MAC/VAL, Vitry-sur-Seine, photo: Marc Domage
Les lacs de lait doré (2) , 2013
Les lacs de lait doré (2) , 2013
Les lacs de lait doré (1), 2013
brass, various elements
200 x 200 x 20 cm
unique
Exhibition view at MAC/VAL, Vitry-sur-Seine, photo: Marc Domage
brass, various elements
200 x 200 x 20 cm
unique
Exhibition view at MAC/VAL, Vitry-sur-Seine, photo: Marc Domage
Les lacs de lait doré (1), 2013
Les lacs de lait doré (1), 2013
brass, various elements
200 x 200 x 20 cm
unique
exhibition view, Emoi & moi, MAC/VAL, Vitry-sur-Seine (F), 2013. Photo: Marc Domage
Les lacs de lait doré (1), 2013
brass, various elements
200 x 200 x 20 cm
unique
exhibition view, Emoi & moi, MAC/VAL, Vitry-sur-Seine (F), 2013. Photo: Marc Domage
Les lacs de lait doré (1), 2013
Les lacs de lait doré (1), 2013
brass, various elements
200 x 200 x 20 cm
unique
exhibition view, Emoi & moi, MAC/VAL, Vitry-sur-Seine (F), 2013. Photo: Marc Domage
Les lacs de lait doré (1), 2013
brass, various elements
200 x 200 x 20 cm
unique
exhibition view, Emoi & moi, MAC/VAL, Vitry-sur-Seine (F), 2013. Photo: Marc Domage
Figure IV, 2012
various elements: chairs, fluo tubes, rubber, brick, enameled silkscreened steel
210 x 125 x 130 cm
unique
Exhibition view Figure IV, Marcelle Alix, Paris, 2012, photo: Aurélien Mole
various elements: chairs, fluo tubes, rubber, brick, enameled silkscreened steel
210 x 125 x 130 cm
unique
Exhibition view Figure IV, Marcelle Alix, Paris, 2012, photo: Aurélien Mole
Figure IV, 2012
Figure IV, 2012
various elements: chairs, fluo tubes, rubber, brick, enameled silkscreened steel
210 x 125 x 130 cm
unique
exhibition view: Figure IV, Marcelle Alix, Paris, 2012, photo: Aurélien Mole
Figure IV, 2012
various elements: chairs, fluo tubes, rubber, brick, enameled silkscreened steel
210 x 125 x 130 cm
unique
exhibition view: Figure IV, Marcelle Alix, Paris, 2012, photo: Aurélien Mole
Figure IV, 2012
Figure IV, 2012
various elements: chairs, fluo tubes, rubber, brick, enameled silkscreened steel
210 x 125 x 130 cm
unique
exhibition view: Figure IV, Marcelle Alix, Paris, 2012, photo: Aurélien Mole
Figure IV, 2012
various elements: chairs, fluo tubes, rubber, brick, enameled silkscreened steel
210 x 125 x 130 cm
unique
exhibition view: Figure IV, Marcelle Alix, Paris, 2012, photo: Aurélien Mole
Figure II, 2001
floor: enameled steel, wood, various elements / wall: wooden frames
175 x 125 x 5 cm (floor)
unique
photo: Aurélien Mole
floor: enameled steel, wood, various elements / wall: wooden frames
175 x 125 x 5 cm (floor)
unique
photo: Aurélien Mole
Figure II, 2001
Rédemption (1), 2014
enamel, steel, leather, acrylic box
30 x 33 x 31 cm
unique
exhibition view 'Sequence I II', Marcelle Alix, Paris, 2014, photo: Aurélien Mole
enamel, steel, leather, acrylic box
30 x 33 x 31 cm
unique
exhibition view 'Sequence I II', Marcelle Alix, Paris, 2014, photo: Aurélien Mole
Territoires intimes, 2020
Indian ink, ballpoint pen, graphite on paper
42 x 29,7 cm
unique
Photo : Aurélien Mole
Indian ink, ballpoint pen, graphite on paper
42 x 29,7 cm
unique
Photo : Aurélien Mole
Territoires intimes, 2020
Indian ink, ballpoint pen, lipstick
42 x 29,7 cm
unique
Photo : Aurélien Mole
Indian ink, ballpoint pen, lipstick
42 x 29,7 cm
unique
Photo : Aurélien Mole
Territoires intimes, 2020
Indian ink, ballpoint pen, graphite on paper
42 x 29,7 cm
48 x 35 cm
unique
Photo : Aurélien Mole
Indian ink, ballpoint pen, graphite on paper
42 x 29,7 cm
48 x 35 cm
unique
Photo : Aurélien Mole
Territoires intimes, 2020
Indian ink, ballpoint pen on paper
42 x 29,7 cm
48 x 35 cm
unique
Photo : Aurélien Mole
Indian ink, ballpoint pen on paper
42 x 29,7 cm
48 x 35 cm
unique
Photo : Aurélien Mole
Territoires intimes, 2020
Indian ink, ballpoint pen on paper
42 x 29,7 cm
48 x 35 cm
unique
Photo : Aurélien Mole
Indian ink, ballpoint pen on paper
42 x 29,7 cm
48 x 35 cm
unique
Photo : Aurélien Mole
Territoires intimes, 2020
Indian ink, ballpoint pen, lipstick
42 x 29,7 cm
unique
Photo : Aurélien Mole
Indian ink, ballpoint pen, lipstick
42 x 29,7 cm
unique
Photo : Aurélien Mole
Territoires intimes, 2020
Indian ink, ballpoint pen, graphite on paper
42 x 29,7 cm
unique
Photo : Aurélien Mole
Indian ink, ballpoint pen, graphite on paper
42 x 29,7 cm
unique
Photo : Aurélien Mole
Sans titre / Untitled, 2000
Enameled silk screened steel
133 x 90 x 2,5 cm
unique
Exhibition view Cahn Kunstraum, Basel, CH, photo: Serge Hasenboehler
Enameled silk screened steel
133 x 90 x 2,5 cm
unique
Exhibition view Cahn Kunstraum, Basel, CH, photo: Serge Hasenboehler
Untitled, 2008
enameled silkscreened steel
96 x 133 x 17 cm
unique
photo: Aurélien Mole
enameled silkscreened steel
96 x 133 x 17 cm
unique
photo: Aurélien Mole
Untitled, 2000
enameled silkscreened steel
49 x 33 x 2,5 cm
unique
photo : Aurélien Mole
enameled silkscreened steel
49 x 33 x 2,5 cm
unique
photo : Aurélien Mole
Sans titre / Untitled, 2000
Enameled silkscreened steel
90 x 133 x 2,5 cm
unique
Exhibition view Cahn Kunstraum, Basel, CH, photo: Serge Hasenboehler
Enameled silkscreened steel
90 x 133 x 2,5 cm
unique
Exhibition view Cahn Kunstraum, Basel, CH, photo: Serge Hasenboehler
Untitled, 2008
ink and pencil on paper
96 x 96 cm
unique
photo : Aurélien Mole
ink and pencil on paper
96 x 96 cm
unique
photo : Aurélien Mole
Untitled, 2008
ink and pencil on paper
87 x 87 cm
unique
photo : Aurélien Mole
ink and pencil on paper
87 x 87 cm
unique
photo : Aurélien Mole
Biography
Over decades, Laura Lamiel has built an exceptional artistic identity. In fact, her work and vocabulary have never ceased to evolve, incorporating new elements, and continually blurring the boundaries between the exhibition space and the studio. In the 1990s, after abandoning the frontality of painting, she started making installations where colour and light play an essential role. Her structures, in particular her cells, are as inspired by psychoanalysis as by spiritual cosmology. They host a repertoire of sensible forms constituted by found objects, collections and certain taxonomies of materials that contrast with the immaculate surfaces of steel that she illuminates with fluorescent tubes. In the 2000s, following the cells, she developed other apparatuses?playing with the transparency and reflective nature of oneway mirrors; creating penetrable or buried spaces?while amplifying the biographical and affective charge of the adopted materials. [Source: Laura Lamiel:LL, monographic publication, ed. Paraguay Press, 2019].
Born in 1943, Laura Lamiel lives in Paris. Kunstverein Langenhagen, Germany (cur. Ursula Schöndeling), La Verrière, Brussels (cur. Guillaume Désanges), La Galerie - art center, Noisy-le-Sec, France (cur. Emilie Renard), Musée d'Art Moderne de Saint-Etienne, France (cur. Anne Tronche) or The Museum of Modern Art in Rio de Janeiro have all organised solo exhibitions of her work. It was also shown recently at Malmö Konsthall and Biennale de Rennes (cur. François Piron), Mac/Val (Vitry-sur-Seine, FR), Biennale de Lyon (cur. Ralph Rugoff), Fundacio Joan Miro, Barcelona and Centre Pompidou, Paris. Laura Lamiel recently participated to the exhibition "Future, ancient, fugitive" at Palais de Tokyo (cur. Franck Balland).An important monographic publication has just been published by Paraguay Press at the occasion of her latest personal show at CRAC-Contemporary Art Center in Sète (FR, cur. Marie Cozette).