artist
Laura Lamiel
Poussières de soleil, 2025-2026
Painting mounted under glass, steel frame, steel bench, painting mounted under glass, objects from the artist's collection
151,2 x 212,2 x 2,5 cm
unique
Exhibition view 'Clair-obscur', 2026. Bourse de Commerce, Paris. Photo: Florent Michel
Painting mounted under glass, steel frame, steel bench, painting mounted under glass, objects from the artist's collection
151,2 x 212,2 x 2,5 cm
unique
Exhibition view 'Clair-obscur', 2026. Bourse de Commerce, Paris. Photo: Florent Michel
Poussières de soleil, 2025-2026
Poussières de soleil, 2025-2026
Poussières de soleil, 2025-2026
_ _ _ puis un saut, 2025-2026
Enameled steel bricks, birds bones, fluorescent tube, artefacts from the artist's collection
45 x 105 x 33 cm
unique
Exhibition view 'Clair-obscur', 2026. Bourse de Commerce, Paris. Photo: Florent Michel
Enameled steel bricks, birds bones, fluorescent tube, artefacts from the artist's collection
45 x 105 x 33 cm
unique
Exhibition view 'Clair-obscur', 2026. Bourse de Commerce, Paris. Photo: Florent Michel
_ _ _ puis un saut, 2025-2026
_ _ _ puis un saut, 2025-2026
pulsations ininterrompues, 2025-2026
enameled steel bricks, birds bones, fluorescent tube, artefacts from the artist's collection
88 x 40 x 50 cm
unique
Exhibition view 'Clair-obscur', 2026. Bourse de Commerce, Paris. Photo: Florent Michel
enameled steel bricks, birds bones, fluorescent tube, artefacts from the artist's collection
88 x 40 x 50 cm
unique
Exhibition view 'Clair-obscur', 2026. Bourse de Commerce, Paris. Photo: Florent Michel
pulsations ininterrompues, 2025-2026
pulsations ininterrompues, 2025-2026
La Chouette aveugle, 2025-2026
aluminium, glass, plexiglass, one-way mirror, wooden heads, India ink on paper, fluorescent tubes, artefacts from the artist's collection
50 x 100 x 50 cm
unique
Exhibition view 'Clair-obscur', 2026. Bourse de Commerce, Paris. Photo: Florent Michel
aluminium, glass, plexiglass, one-way mirror, wooden heads, India ink on paper, fluorescent tubes, artefacts from the artist's collection
50 x 100 x 50 cm
unique
Exhibition view 'Clair-obscur', 2026. Bourse de Commerce, Paris. Photo: Florent Michel
La Chouette aveugle, 2025-2026
La Chouette aveugle, 2025-2026
Enroulement II, 2025-2026
vulkollan from the artist's personal collection, copper rod, freestanding steel structure
variable dimensions
unique
Exhibition view 'Clair-obscur', 2026. Bourse de Commerce, Paris. Photo: Florent Michel
vulkollan from the artist's personal collection, copper rod, freestanding steel structure
variable dimensions
unique
Exhibition view 'Clair-obscur', 2026. Bourse de Commerce, Paris. Photo: Florent Michel
Enroulement II, 2025-2026
La Bibliothèque, 2025-2026
missals from the artist's collection, steel bookcase
156 x 72,5 x 15 cm
unique
Exhibition view 'Clair-obscur', 2026. Bourse de Commerce, Paris. Photo: Florent Michel
missals from the artist's collection, steel bookcase
156 x 72,5 x 15 cm
unique
Exhibition view 'Clair-obscur', 2026. Bourse de Commerce, Paris. Photo: Florent Michel
La Bibliothèque, 2025-2026
ça fait un bruit d'ailes, 2025-2026
slate powder under glass, fluorescent tube, artefacts from the artist's collection
203 x 85 x 40 cm
unique
Exhibition view 'Clair-obscur', 2026. Bourse de Commerce, Paris. Photo: Florent Michel
slate powder under glass, fluorescent tube, artefacts from the artist's collection
203 x 85 x 40 cm
unique
Exhibition view 'Clair-obscur', 2026. Bourse de Commerce, Paris. Photo: Florent Michel
ça fait un bruit d'ailes, 2025-2026
La Bourse, 2025-2026
steel structure, mirror, glass, papers, banknote, steel base, Chrysochroa fulminans beetles from Indonesia, artefacts from the artist's collection
60 x 84 x 50 cm
unique
Exhibition view 'Clair-obscur', 2026. Bourse de Commerce, Paris. Photo: Florent Michel
steel structure, mirror, glass, papers, banknote, steel base, Chrysochroa fulminans beetles from Indonesia, artefacts from the artist's collection
60 x 84 x 50 cm
unique
Exhibition view 'Clair-obscur', 2026. Bourse de Commerce, Paris. Photo: Florent Michel
La Bourse, 2025-2026
sans titre, 2026
reverse glass painting, steel chair, steel wool shirt, fluorescent tube
147 x 101 x 70 cm
unique
Photo : Julien Gremaud
reverse glass painting, steel chair, steel wool shirt, fluorescent tube
147 x 101 x 70 cm
unique
Photo : Julien Gremaud
sans titre, 2025-2026
reverse glass painting, steel chair, steel wool shirt, fluorescent tube
146 x 100 x 46 cm
unique
Exhibition view 'Clair-obscur', 2026. Bourse de Commerce, Paris. Photo: Florent Michel
reverse glass painting, steel chair, steel wool shirt, fluorescent tube
146 x 100 x 46 cm
unique
Exhibition view 'Clair-obscur', 2026. Bourse de Commerce, Paris. Photo: Florent Michel
sans titre, 2025-2026
mouvement de l'immobile, 2025
paintings fixed under glass, steel chair, cast iron feet, fluorescent tube, mirrored plexiglass
88 x 86 x 203 cm and 120 x 180 cm
unique
Exhibition view 'What are your thinking', 2025. Portikus, Francfort. Photo: Wolfgang Günzel
production Portikus, Frankfurt (DE)
paintings fixed under glass, steel chair, cast iron feet, fluorescent tube, mirrored plexiglass
88 x 86 x 203 cm and 120 x 180 cm
unique
Exhibition view 'What are your thinking', 2025. Portikus, Francfort. Photo: Wolfgang Günzel
production Portikus, Frankfurt (DE)
mouvement de l'immobile, 2025
mouvement de l'immobile, 2025
Another Brick in the Wall , 2024
Enamel-coated steel bricks, wooden bricks, neon, enamel-coated steel chair, hydrophilic cotton sewn coat, copper, metal, cardboard, wood, paper, fabri
variable dimensions
unique
Exhibition view 'La marche supplémentaire', 2024. Photo : Aurélien Mole
Enamel-coated steel bricks, wooden bricks, neon, enamel-coated steel chair, hydrophilic cotton sewn coat, copper, metal, cardboard, wood, paper, fabri
variable dimensions
unique
Exhibition view 'La marche supplémentaire', 2024. Photo : Aurélien Mole
Another Brick in the Wall , 2024
Another Brick in the Wall , 2024
Another Brick in the Wall , 2024
Another Brick in the Wall , 2024
Another Brick in the Wall , 2024
Another Brick in the Wall , 2024
Another Brick in the Wall , 2024
Another Brick in the Wall , 2024
Dans les plis, 2023
Steel, cast iron feet, fabric, fluorescent tubes
Variable dimensions
unique
Exhibition view 'Vous les entendez?', 2023. Palais de Tokyo, Paris. Photo: Aurélien Mole
Production Palais de Tokyo, Paris
Steel, cast iron feet, fabric, fluorescent tubes
Variable dimensions
unique
Exhibition view 'Vous les entendez?', 2023. Palais de Tokyo, Paris. Photo: Aurélien Mole
Production Palais de Tokyo, Paris
Dans les plis, 2023
Laura Lamiel Dans les plis, 2023 Acier, pieds en fonte, tissu, tubes fluorescents Dimensions variables unique Exhibition view 'Vous les entendez?', 2023. Palais de Tokyo, Paris. Photo: Aurélien Mole
Laura Lamiel Dans les plis, 2023 Acier, pieds en fonte, tissu, tubes fluorescents Dimensions variables unique Exhibition view 'Vous les entendez?', 2023. Palais de Tokyo, Paris. Photo: Aurélien Mole
Dans les plis, 2023
Laura Lamiel Dans les plis, 2023 Acier, pieds en fonte, tissu, tubes fluorescents Dimensions variables unique Exhibition view 'Vous les entendez?', 2023. Palais de Tokyo, Paris. Photo: Aurélien Mole
Laura Lamiel Dans les plis, 2023 Acier, pieds en fonte, tissu, tubes fluorescents Dimensions variables unique Exhibition view 'Vous les entendez?', 2023. Palais de Tokyo, Paris. Photo: Aurélien Mole
Dans les plis, 2023
Laura Lamiel Dans les plis, 2023 Acier, pieds en fonte, tissu, tubes fluorescents Dimensions variables unique Exhibition view 'Vous les entendez?', 2023. Palais de Tokyo, Paris. Photo: Aurélien Mole
Laura Lamiel Dans les plis, 2023 Acier, pieds en fonte, tissu, tubes fluorescents Dimensions variables unique Exhibition view 'Vous les entendez?', 2023. Palais de Tokyo, Paris. Photo: Aurélien Mole
Dans les plis, 2023
Laura Lamiel Dans les plis, 2023 Acier, pieds en fonte, tissu, tubes fluorescents Dimensions variables unique Exhibition view 'Vous les entendez?', 2023. Palais de Tokyo, Paris. Photo: Aurélien Mole
Laura Lamiel Dans les plis, 2023 Acier, pieds en fonte, tissu, tubes fluorescents Dimensions variables unique Exhibition view 'Vous les entendez?', 2023. Palais de Tokyo, Paris. Photo: Aurélien Mole
De la page 3 à la page rouge, 2023
Painted books, mirrored plexiglass, various objects
Variable dimensions
unique
Exhibition view 'Vous les entendez?', 2023. Palais de Tokyo, Paris. Photo: Aurélien Mole
Production Palais de Tokyo, Paris
Painted books, mirrored plexiglass, various objects
Variable dimensions
unique
Exhibition view 'Vous les entendez?', 2023. Palais de Tokyo, Paris. Photo: Aurélien Mole
Production Palais de Tokyo, Paris
De la page 3 à la page rouge, 2023
De la page 3 à la page rouge, 2023
De la page 3 à la page rouge, 2023
De la page 3 à la page rouge, 2023
De la page 3 à la page rouge, 2023
Sans titre, 2023
Painting fixed under glass
180 x 120 cm
183 x 121 x 4 cm
unique
Exhibition view 'Vous les entendez?', 2023. Palais de Tokyo, Paris. Photo: Aurélien Mole
Painting fixed under glass
180 x 120 cm
183 x 121 x 4 cm
unique
Exhibition view 'Vous les entendez?', 2023. Palais de Tokyo, Paris. Photo: Aurélien Mole
Sans titre, 2023
Sans titre, 2023
Painting fixed under glass
120 x 180 cm
121 x 183 x 4 cm
unique
Exhibition view 'Vous les entendez?', 2023. Palais de Tokyo, Paris. Photo: Aurélien Mole
Painting fixed under glass
120 x 180 cm
121 x 183 x 4 cm
unique
Exhibition view 'Vous les entendez?', 2023. Palais de Tokyo, Paris. Photo: Aurélien Mole
Sans titre, 2023
Painting fixed under glass
120 x 180 cm
121 x 183 x 4 cm
unique
Exhibition view 'Vous les entendez?', 2023. Palais de Tokyo, Paris. Photo: Aurélien Mole
Production Palais de Tokyo, Paris
Painting fixed under glass
120 x 180 cm
121 x 183 x 4 cm
unique
Exhibition view 'Vous les entendez?', 2023. Palais de Tokyo, Paris. Photo: Aurélien Mole
Production Palais de Tokyo, Paris
Du miel sur un couteau / Honey on a knife, 2021-2023
Glass, mirror, raw steel chair, fluorescent tubes, various objects from the artist's collection
variable dimensions
unique
Exhibition view 'Vous les entendez?', 2023. Palais de Tokyo, Paris. Photo: Aurélien Mole
Production Palais de Tokyo, Paris
Glass, mirror, raw steel chair, fluorescent tubes, various objects from the artist's collection
variable dimensions
unique
Exhibition view 'Vous les entendez?', 2023. Palais de Tokyo, Paris. Photo: Aurélien Mole
Production Palais de Tokyo, Paris
Du miel sur un couteau / Honey on a knife, 2021-2023
Du miel sur un couteau / Honey on a knife, 2021-2023
Du miel sur un couteau / Honey on a knife, 2021-2023
Du miel sur un couteau / Honey on a knife, 2021-2023
Du miel sur un couteau / Honey on a knife, 2021-2023
Du miel sur un couteau / Honey on a knife, 2021-2023
Chant d'amour, 2018-2023
Steel, one-way mirrors, copper table, artefacts from the artist's collection, enamelled steel units, fluorescent tubes
190 x 200 x 160 cm
unique
Exhibition view 'Vous les entendez?', 2023. Palais de Tokyo, Paris. Photo: Aurélien Mole
Production CRAC Occitanie, Sète (FR)
Steel, one-way mirrors, copper table, artefacts from the artist's collection, enamelled steel units, fluorescent tubes
190 x 200 x 160 cm
unique
Exhibition view 'Vous les entendez?', 2023. Palais de Tokyo, Paris. Photo: Aurélien Mole
Production CRAC Occitanie, Sète (FR)
Chant d'amour, 2018-2023
Chant d'amour, 2018-2023
La Mue, 2021-2023
Hydrophilic cotton coats, steel, glass, fluorescent tubes
Variable dimensions
unique
Exhibition view 'Vous les entendez?', 2023. Palais de Tokyo, Paris. Photo: Aurélien Mole
Hydrophilic cotton coats, steel, glass, fluorescent tubes
Variable dimensions
unique
Exhibition view 'Vous les entendez?', 2023. Palais de Tokyo, Paris. Photo: Aurélien Mole
La Mue, 2021-2023
La Mue, 2021-2023
Ring, 2021-2026
Various elements, wood, enamelled steel, fluorescent, cotton, leather
100 x 350 x 250 cm
unique
Exhibition view at Capc Musée d'art contemporain de Bordeaux, Photo: Arthur Péquin
Production CAPC Bordeaux (FR) and IVAM Valencia (ES)
Various elements, wood, enamelled steel, fluorescent, cotton, leather
100 x 350 x 250 cm
unique
Exhibition view at Capc Musée d'art contemporain de Bordeaux, Photo: Arthur Péquin
Production CAPC Bordeaux (FR) and IVAM Valencia (ES)
Rien n'est à faire tout est à défaire, 2023
Steel, cast iron feet, fabric, fluorescent tubes
160,5 x 304 x 20,2 cm
unique
Exhibition view 'Ursule', 2023. Marcelle Alix, Paris. Photo : Nicolas Lafon
Steel, cast iron feet, fabric, fluorescent tubes
160,5 x 304 x 20,2 cm
unique
Exhibition view 'Ursule', 2023. Marcelle Alix, Paris. Photo : Nicolas Lafon
Rien n'est à faire tout est à défaire, 2023
Rien n'est à faire tout est à défaire, 2023
Rien n'est à faire tout est à défaire, 2023
Rien n'est à faire tout est à défaire, 2023
Rien n'est à faire tout est à défaire, 2023
Rien n'est à faire tout est à défaire, 2023
Rien n'est à faire tout est à défaire, 2023
Rien n'est à faire tout est à défaire, 2023
L'avaleur de temps, 2023-2026
wooden shelves, ink and pencil on paper, oil on canvas, printing on tracing paper, enamelled steel plate, fluorescent tube, artefacts from the artist?
196,5 x 95 x 65 cm
unique
Exhibition view 'Ursule', 2023. Marcelle Alix, Paris. Photo : Nicolas Lafon
wooden shelves, ink and pencil on paper, oil on canvas, printing on tracing paper, enamelled steel plate, fluorescent tube, artefacts from the artist?
196,5 x 95 x 65 cm
unique
Exhibition view 'Ursule', 2023. Marcelle Alix, Paris. Photo : Nicolas Lafon
L'avaleur de temps, 2023-2026
L'avaleur de temps, 2023-2026
L'avaleur de temps, 2023-2026
L'avaleur de temps, 2023-2026
Je peux encore apprendre quelque chose ce soir, 2023
Wood, steel, enameled steel, drawings and items from the artist's collection
76 x 175,5 x 67 cm
unique
Exhibition view 'Ursule', 2023. Marcelle Alix, Paris. Photo : Nicolas Lafon
Wood, steel, enameled steel, drawings and items from the artist's collection
76 x 175,5 x 67 cm
unique
Exhibition view 'Ursule', 2023. Marcelle Alix, Paris. Photo : Nicolas Lafon
Je peux encore apprendre quelque chose ce soir, 2023
Je peux encore apprendre quelque chose ce soir, 2023
Je peux encore apprendre quelque chose ce soir, 2023
Je peux encore apprendre quelque chose ce soir, 2023
Je peux encore apprendre quelque chose ce soir, 2023
Ursule (2), 2023
Enameled steel, fluorescent tubes, cotton coat, mixed media on paper, items from the artist's collection
Variable dimensions
unique
Exhibition view 'Ursule', 2023. Marcelle Alix, Paris. Photo : Nicolas Lafon
Enameled steel, fluorescent tubes, cotton coat, mixed media on paper, items from the artist's collection
Variable dimensions
unique
Exhibition view 'Ursule', 2023. Marcelle Alix, Paris. Photo : Nicolas Lafon
Ursule (2), 2023
Ursule (2), 2023
Ursule (2), 2023
Ursule (2), 2023
Ursule (2), 2023
Ursule (2), 2023
Ursule (2), 2023
Ursule (2), 2023
Ursule (2), 2023
Ursule (2), 2023
Ursule (2), 2023
Ursule (1), 2022
Enameled steel, fluorescent tubes, cotton coat, mixed media on paper, items from the artist's collection
180 x 225 x 175 cm (variable dimensions depending on the exhibition space)
unique
photo : Aurélien Mole
Enameled steel, fluorescent tubes, cotton coat, mixed media on paper, items from the artist's collection
180 x 225 x 175 cm (variable dimensions depending on the exhibition space)
unique
photo : Aurélien Mole
Ursule (1), 2022
Exhibition view Art dans les Chapelles, Melrand, 2022 / Photo : Aurélien Mole
Exhibition view Art dans les Chapelles, Melrand, 2022 / Photo : Aurélien Mole
Ursule (1), 2022
Exhibition view Art dans les Chapelles, Melrand, 2022 / Photo : Aurélien Mole
Exhibition view Art dans les Chapelles, Melrand, 2022 / Photo : Aurélien Mole
Untitled, 2000-2021
Steel bars, wood, fluorescent tube
250 × 250 × 30 cm
unique
Exhibition view Cahn Kunstraum, Basel, CH, photo: Serge Hasenboehler
Steel bars, wood, fluorescent tube
250 × 250 × 30 cm
unique
Exhibition view Cahn Kunstraum, Basel, CH, photo: Serge Hasenboehler
J'ai vu les buffles d'eau, 2019
Tempered glass, paintings fixed under glass, metal frames, fluorescent tubes, books, cactus and moss, suitcases, objects from the artist's collection
Variable dimensions
unique
Exhibition view at Palais de Tokyo
photo : Aurélien Mole / Nikolai Jakobsen
Production Palais de Tokyo, Paris
Tempered glass, paintings fixed under glass, metal frames, fluorescent tubes, books, cactus and moss, suitcases, objects from the artist's collection
Variable dimensions
unique
Exhibition view at Palais de Tokyo
photo : Aurélien Mole / Nikolai Jakobsen
Production Palais de Tokyo, Paris
J'ai vu les buffles d'eau, 2019
exhibitions views at the Palais de Tokyo, 2019
exhibitions views at the Palais de Tokyo, 2019
J'ai vu les buffles d'eau, 2019
exhibitions views at the Palais de Tokyo, 2019
exhibitions views at the Palais de Tokyo, 2019
J'ai vu les buffles d'eau, 2019
exhibitions views at the Palais de Tokyo, 2019
exhibitions views at the Palais de Tokyo, 2019
J'ai vu les buffles d'eau, 2019
exhibitions views at the Palais de Tokyo, 2019
exhibitions views at the Palais de Tokyo, 2019
J'ai vu les buffles d'eau, 2019
exhibitions views at the Palais de Tokyo, 2019
exhibitions views at the Palais de Tokyo, 2019
J'ai vu les buffles d'eau, 2019
Exhibition view Cahn Kunstraum, Basel, CH, photo: Serge Hasenboehler
Exhibition view Cahn Kunstraum, Basel, CH, photo: Serge Hasenboehler
J'ai vu les buffles d'eau, 2019
Exhibition view Cahn Kunstraum, Basel, CH, photo: Serge Hasenboehler
Exhibition view Cahn Kunstraum, Basel, CH, photo: Serge Hasenboehler
Le regard détourné, 2000-2022
Carpet, copper, rubber, steel bench and fluorescent tube
182 x 73 x 58 cm
unique
Exhibition view 'Qui montent de la terre (Rising from the Earth)', 2022. Marcelle Alix, Paris. Photo
Carpet, copper, rubber, steel bench and fluorescent tube
182 x 73 x 58 cm
unique
Exhibition view 'Qui montent de la terre (Rising from the Earth)', 2022. Marcelle Alix, Paris. Photo
Le regard détourné, 2000-2022
exhibition view, Marcelle Alix, Paris, 2022
photo: Aurélien Mole
exhibition view, Marcelle Alix, Paris, 2022
photo: Aurélien Mole
Rédemption (cuivre), 2015
copper, steel, bronze, leather, plexiglas, lamp
196 x 100 x 96cm
unique
Exhibition view 'Chambres de capture', 2015. La Verrière - Fondation Hermès, photo: Isabelle Arthuis
copper, steel, bronze, leather, plexiglas, lamp
196 x 100 x 96cm
unique
Exhibition view 'Chambres de capture', 2015. La Verrière - Fondation Hermès, photo: Isabelle Arthuis
L'espace du dedans (séquence 3), 2014 - 2018
Copper, wood, leather suitcases, wooden boxes, photographs, drawings, enamelled steel, fluorescent tubes, various elements
dimensions variable
unique
Exhibition view at CRAC Occitanie Sète, photo: Marc Domage
Production CRAC Occitanie, Sète
Copper, wood, leather suitcases, wooden boxes, photographs, drawings, enamelled steel, fluorescent tubes, various elements
dimensions variable
unique
Exhibition view at CRAC Occitanie Sète, photo: Marc Domage
Production CRAC Occitanie, Sète
L'espace du dedans (séquence 3), 2014 - 2018
L'espace du dedans (séquence 3), 2014 - 2018
L'espace du dedans (séquence 3), 2014 - 2018
Les yeux de W, 2021
ink and pencil on paper
29,5 x 42 cm
39 x 51 x 3 cm
unique
Photo : Nicolas Lafon
ink and pencil on paper
29,5 x 42 cm
39 x 51 x 3 cm
unique
Photo : Nicolas Lafon
Territoires intimes, 2020-22
Mixed media on paper
51 x 41cm
unique
Photo : Nicolas Lafon
Mixed media on paper
51 x 41cm
unique
Photo : Nicolas Lafon
Territoires intimes, 2020-2022
Mixed media on paper
51 x 41cm
unique
Photo : Nicolas Lafon
Mixed media on paper
51 x 41cm
unique
Photo : Nicolas Lafon
Territoires Intimes, 2020
Indian ink, ballpoint pen on paper
42 x 29,7 cm
48 x 35,5 cm
unique
Photo : Nicolas Lafon
Indian ink, ballpoint pen on paper
42 x 29,7 cm
48 x 35,5 cm
unique
Photo : Nicolas Lafon
Territoires intimes, 2022
Mixed media on paper
51 x 41cm
unique
Photo : Nicolas Lafon
Mixed media on paper
51 x 41cm
unique
Photo : Nicolas Lafon
Territoires intimes, 2020-2022
Mixed media on paper
41 x 29,7 cm
51 x 41 cm
unique
Photo : Nicolas Lafon
Mixed media on paper
41 x 29,7 cm
51 x 41 cm
unique
Photo : Nicolas Lafon
Territoires Intimes, 2020
Indian ink, ballpoint pen on paper
42 x 29,7 cm
48 x 35,5 cm
unique
Photo : Nicolas Lafon
Indian ink, ballpoint pen on paper
42 x 29,7 cm
48 x 35,5 cm
unique
Photo : Nicolas Lafon
Territoires intimes, 2021
Mixed media on paper
51 x 41cm
unique
Photo : Nicolas Lafon
Mixed media on paper
51 x 41cm
unique
Photo : Nicolas Lafon
Territoires intimes, 2021
Mixed media on paper
51 x 41cm
unique
Photo : Nicolas Lafon
Mixed media on paper
51 x 41cm
unique
Photo : Nicolas Lafon
Territoires intimes, 2020
Mixed media on paper
51 x 41cm
unique
Photo : Nicolas Lafon
Mixed media on paper
51 x 41cm
unique
Photo : Nicolas Lafon
L'Herbier, 2024
Mixed media on paper
59 x 41 cm
68,5 x 61 cm
unique
Exhibition view 'Constellation', 2025. Galeria Stereo, Warsaw, Pl. Photo : Blazej Pindor
Mixed media on paper
59 x 41 cm
68,5 x 61 cm
unique
Exhibition view 'Constellation', 2025. Galeria Stereo, Warsaw, Pl. Photo : Blazej Pindor
3 ans, 3 mois, 3 jours, 2012
Ink on paper
83 x 73 cm
unique
Ink on paper
83 x 73 cm
unique
Untitled, 2008
ink and pencil on paper
96 x 96 cm
unique
photo : Aurélien Mole
ink and pencil on paper
96 x 96 cm
unique
photo : Aurélien Mole
Untitled, 2008
ink and pencil on paper
87 x 87 cm
unique
photo : Aurélien Mole
ink and pencil on paper
87 x 87 cm
unique
photo : Aurélien Mole
Untitled, 2008
ink and pencil on paper
40 x 50 cm
unique
photo : Aurélien Mole
ink and pencil on paper
40 x 50 cm
unique
photo : Aurélien Mole
A blanc, 2017
Enameled steel, fluo tubes, cables, clamps, drawing, plexiglass, gloves, wood, fabric, various objects
210 x 127 x 127 cm
unique
Exhibition view at CRAC Occitanie Sète, photo: Marc Domage
Enameled steel, fluo tubes, cables, clamps, drawing, plexiglass, gloves, wood, fabric, various objects
210 x 127 x 127 cm
unique
Exhibition view at CRAC Occitanie Sète, photo: Marc Domage
Chambre de capture (1), 2015
enameled steel, wool, wood, fluo tubes, plexiglas
150 x 190 x 150 cm
unique
Exhibition view 'Chambres de capture', 2015. La Verrière - Fondation Hermès, photo: Isabelle Arthui
Production La Verrière - Fondation Hermès, Brussels (BE)
enameled steel, wool, wood, fluo tubes, plexiglas
150 x 190 x 150 cm
unique
Exhibition view 'Chambres de capture', 2015. La Verrière - Fondation Hermès, photo: Isabelle Arthui
Production La Verrière - Fondation Hermès, Brussels (BE)
Chambre de capture (2), 2015
enameled steel, leather, wood, cotton, lamps, plexiglas, various objects
145 x 165 x 135 cm
unique
Exhibition view 'Chambres de capture', 2015. La Verrière - Fondation Hermès, photo: Isabelle Arthui
Production La Verrière - Fondation Hermès, Brussels (BE)
enameled steel, leather, wood, cotton, lamps, plexiglas, various objects
145 x 165 x 135 cm
unique
Exhibition view 'Chambres de capture', 2015. La Verrière - Fondation Hermès, photo: Isabelle Arthui
Production La Verrière - Fondation Hermès, Brussels (BE)
Figure: Light Situation, 2014
enameled steel, fluorescent lights, bucket
210 x 120 x 127cm
unique
Exhibition view 'Light situations', 2014. Kunstverein Langenhagen, photo: Christian Dootz
enameled steel, fluorescent lights, bucket
210 x 120 x 127cm
unique
Exhibition view 'Light situations', 2014. Kunstverein Langenhagen, photo: Christian Dootz
Figure, 2013
enameled steel, fluo tubes, chair, gloves
210 x 125 x 130 cm
unique
exhibition view, Emoi & moi, MAC/VAL, Vitry-sur-Seine (F), 2013 / Photo: Marc Domage
enameled steel, fluo tubes, chair, gloves
210 x 125 x 130 cm
unique
exhibition view, Emoi & moi, MAC/VAL, Vitry-sur-Seine (F), 2013 / Photo: Marc Domage
Par ordre d'apparition, 2013
various elements: chair, neon tubes, mirrors, metal, leather briefcases, enameled silkscreened steel
210 x 125 x 130 cm
unique
exhibition view 'Bonjour tristesse, désir, ennui, appétit, plaisir', La Galerie Art Center, Noisy-le
various elements: chair, neon tubes, mirrors, metal, leather briefcases, enameled silkscreened steel
210 x 125 x 130 cm
unique
exhibition view 'Bonjour tristesse, désir, ennui, appétit, plaisir', La Galerie Art Center, Noisy-le
Par ordre d'apparition, 2013
Par ordre d'apparition
various elements: chair, neon tubes, mirrors, metal, leather briefcases, enameled silkscreened steel
210 x 125 x 130 cm
unique
exhibition view 'Bonjour tristesse, désir, ennui, appétit, plaisir', La Galerie Art Cente
Par ordre d'apparition
various elements: chair, neon tubes, mirrors, metal, leather briefcases, enameled silkscreened steel
210 x 125 x 130 cm
unique
exhibition view 'Bonjour tristesse, désir, ennui, appétit, plaisir', La Galerie Art Cente
Par ordre d'apparition, 2013
Par ordre d'apparition
various elements: chair, neon tubes, mirrors, metal, leather briefcases, enameled silkscreened steel
210 x 125 x 130 cm
unique
exhibition view 'Bonjour tristesse, désir, ennui, appétit, plaisir', La Galerie Art Cente
Par ordre d'apparition
various elements: chair, neon tubes, mirrors, metal, leather briefcases, enameled silkscreened steel
210 x 125 x 130 cm
unique
exhibition view 'Bonjour tristesse, désir, ennui, appétit, plaisir', La Galerie Art Cente
Par ordre d'apparition, 2013
Par ordre d'apparition
various elements: chair, neon tubes, mirrors, metal, leather briefcases, enameled silkscreened steel
210 x 125 x 130 cm
unique
exhibition view 'Bonjour tristesse, désir, ennui, appétit, plaisir', La Galerie Art Cente
Par ordre d'apparition
various elements: chair, neon tubes, mirrors, metal, leather briefcases, enameled silkscreened steel
210 x 125 x 130 cm
unique
exhibition view 'Bonjour tristesse, désir, ennui, appétit, plaisir', La Galerie Art Cente
Figure IV, 2012
various elements: chairs, fluo tubes, rubber, brick, enameled silkscreened steel
210 x 125 x 130 cm
unique
Exhibition view Figure IV, Marcelle Alix, Paris, 2012, photo: Aurélien Mole
various elements: chairs, fluo tubes, rubber, brick, enameled silkscreened steel
210 x 125 x 130 cm
unique
Exhibition view Figure IV, Marcelle Alix, Paris, 2012, photo: Aurélien Mole
Figure IV, 2012
Figure IV, 2012
various elements: chairs, fluo tubes, rubber, brick, enameled silkscreened steel
210 x 125 x 130 cm
unique
exhibition view: Figure IV, Marcelle Alix, Paris, 2012, photo: Aurélien Mole
Figure IV, 2012
various elements: chairs, fluo tubes, rubber, brick, enameled silkscreened steel
210 x 125 x 130 cm
unique
exhibition view: Figure IV, Marcelle Alix, Paris, 2012, photo: Aurélien Mole
Figure IV, 2012
Figure IV, 2012
various elements: chairs, fluo tubes, rubber, brick, enameled silkscreened steel
210 x 125 x 130 cm
unique
exhibition view: Figure IV, Marcelle Alix, Paris, 2012, photo: Aurélien Mole
Figure IV, 2012
various elements: chairs, fluo tubes, rubber, brick, enameled silkscreened steel
210 x 125 x 130 cm
unique
exhibition view: Figure IV, Marcelle Alix, Paris, 2012, photo: Aurélien Mole
Untitled, 2008
enameled silkscreened steel
96 x 133 x 17 cm
unique
photo: Aurélien Mole
enameled silkscreened steel
96 x 133 x 17 cm
unique
photo: Aurélien Mole
Figure II, 2001
floor: enameled steel, wood, various elements / wall: wooden frames
175 x 125 x 5 cm (floor)
unique
photo: Aurélien Mole
floor: enameled steel, wood, various elements / wall: wooden frames
175 x 125 x 5 cm (floor)
unique
photo: Aurélien Mole
Figure II, 2001
Untitled, 2001-2002
enameled silkscreened steel
15 x 20 cm
unique
Photo : Aurélien Mole
enameled silkscreened steel
15 x 20 cm
unique
Photo : Aurélien Mole
Untitled, 2001-2002
enameled silkscreened steel
15 x 20 cm
unique
Photo : Aurélien Mole
enameled silkscreened steel
15 x 20 cm
unique
Photo : Aurélien Mole
Untitled, 2001-2002
enameled silkscreened steel
15 x 20 cm
unique
Photo : Aurélien Mole
enameled silkscreened steel
15 x 20 cm
unique
Photo : Aurélien Mole
Untitled, 2001-2002
enameled silkscreened steel
15 x 20 cm
unique
Photo : Aurélien Mole
enameled silkscreened steel
15 x 20 cm
unique
Photo : Aurélien Mole
Untitled, 2001-2002
enameled silkscreened steel
15 x 20 cm
unique
Photo : Aurélien Mole
enameled silkscreened steel
15 x 20 cm
unique
Photo : Aurélien Mole
Untitled, 2000
Enameled silkscreened steel
90 x 133 x 2,5 cm
unique
Exhibition view Cahn Kunstraum, Basel, CH, photo: Serge Hasenboehler
Enameled silkscreened steel
90 x 133 x 2,5 cm
unique
Exhibition view Cahn Kunstraum, Basel, CH, photo: Serge Hasenboehler
Untitled , 2000
baryté print with added synthetic fur
126 x 157 x 4 cm
unique
photo: Aurélien Mole
baryté print with added synthetic fur
126 x 157 x 4 cm
unique
photo: Aurélien Mole
Untitled , 2000
baryté print with added synthetic fur
126 x 157 x 4 cm
unique
photo: Aurélien Mole
baryté print with added synthetic fur
126 x 157 x 4 cm
unique
photo: Aurélien Mole
Untitled , 2000
baryté print, mixed media
126 x 157 x 4 cm
unique
photo: Aurélien Mole
baryté print, mixed media
126 x 157 x 4 cm
unique
photo: Aurélien Mole
Untitled, circa 1985
painting and slate dust on wood
159 x 215 x 4 cm
unique
photo : Aurélien Mole
painting and slate dust on wood
159 x 215 x 4 cm
unique
photo : Aurélien Mole
S.T., 1981
Mixed technique
186 x 142 cm
unique
Art Basel Paris, 2025. Stand Marcelle Alix, Paris. Photo: Pauline Assathiany
Mixed technique
186 x 142 cm
unique
Art Basel Paris, 2025. Stand Marcelle Alix, Paris. Photo: Pauline Assathiany
S.T., 1981
S.T., 1981
Biography
Over decades, Laura Lamiel has built an exceptional artistic identity. In fact, her work and vocabulary have never ceased to evolve, incorporating new elements, and continually blurring the boundaries between the exhibition space and the studio. In the 1990s, after abandoning the frontality of painting, she started making installations where colour and light play an essential role. Her structures, in particular her cells, are as inspired by psychoanalysis as by spiritual cosmology. They host a repertoire of sensible forms constituted by found objects, collections and certain taxonomies of materials that contrast with the immaculate surfaces of steel that she illuminates with fluorescent tubes. In the 2000s, following the cells, she developed other apparatuses-playing with the transparency and reflective nature of oneway mirrors; creating penetrable or buried spaces-while amplifying the biographical and affective charge of the adopted materials. [Source: Laura Lamiel:LL, monographic publication, ed. Paraguay Press, 2019].
Born in 1943, Laura Lamiel lives in Paris. Her most recent solo exhibitions include Portikus, Frankfurt, DE (2025) ; Galeria Stereo, Warsaw, PL (2025) ; Osmos, New York, US (2025) ; Palais de Tokyo, Paris, FR (2023), Cahn Kunstraum, Basel, CH (2021) ; CRAC Sète, FR (2019) ; La Verrière, Brussels, BE (2015); Kunstverein Langenhagen, DE (2014) ; La Galerie - art center, Noisy-le-Sec, FR (2013) and Musée d’Art Moderne de Saint- Etienne, FR (2013). Her work has also been presented in several collective exhibitions, most recently at the Bienal de Arte Contemporânea de Coim- bra, PT (2022); CAPC, Bordeaux, FR (2021); Palais de Tokyo, Paris, FR (2019); Malmö Konsthall, SE (2018); Biennale de Rennes, FR (2016) and Biennale de Lyon, FR (2015).
An important monographic publication has just been published by Paraguay Press at the occasion of her latest personal show at CRAC-Contemporary Art Center in Sète (FR, cur. Marie Cozette). Her artworks are held in prestigious institutionnal collections inclu- ding MAC VAL, Vitry-sur-Seine, FR; Musée d'Art Moderne de Paris, FR; Musée National d'Art Moderne, Centre Pompidou, Paris, FR and Museum of Modern Art, Rio de Janeiro, BR.