artist

Charlotte Moth



Blue reflecting the greens, 2021
Blue reflecting the greens, 2021
Blue mirror disk, metal powder coated frame and pivoting armature
90 cms diam
unique
Exhibition view Lismore castle, 2021
photo: Ros Kavanagh
Blue reflecting the greens, 2021
Blue reflecting the greens, 2021
Exhibition view, Lismore castle, 2021
photo : Ros Kavanagh
Blue reflecting the greens, 2021
Blue reflecting the greens, 2021
Exhibition view, Lismore castle, 2021
photo : Ros Kavanagh
Millefleur , 2021
Millefleur , 2021
Cut fabric from leaf templates in various shapes, pins
variable dimensions
unique
Exhibition view, Lismore castle, 2021
photo: Ros Kavanagh
Millefleur , 2021
Millefleur , 2021
Exhibition view, Lismore castle, 2021
photo : Ros Kavanagh
Millefleur , 2021
Millefleur , 2021
Exhibition view, Lismore castle, 2021
photo : Ros Kavanagh
Millefleur , 2021
Millefleur , 2021
Exhibition view, Lismore castle, 2021
photo : Ros Kavanagh
Peeping mirror, 2023
Peeping mirror, 2023
Volcanic glass (Obsidian)
9 x 1 cm
unique
Image for the activation of an exhibition: 'Garden of Dreams' #2, 2023
Image for the activation of an exhibition: 'Garden of Dreams' #2, 2023
Silver gelatin print
12 x 8,3 cm
ed 3 + 1
Exhibition view 'Sonambulo', 2023, Galerie Marta Cervera
Image for the activation of an exhibition: 'Garden of Dreams' #3, 2023
Image for the activation of an exhibition: 'Garden of Dreams' #3, 2023
Silver gelatin print
15,5 x 10,5 cm
ed 3 + 1
Exhibition view 'Sonambulo', 2023, Galerie Marta Cervera
Image for the activation of an exhibition: 'Garden of Dreams' #4, 2023
Image for the activation of an exhibition: 'Garden of Dreams' #4, 2023
Silver gelatin print
13,6 x 20,5 cm
ed 3 + 1
Exhibition view 'Sonambulo', 2023, Galerie Marta Cervera
Image for the activation of an exhibition: 'Garden of Dreams' #5, 2023
Image for the activation of an exhibition: 'Garden of Dreams' #5, 2023
Silver gelatin print
22,5 x 15,2 cm
ed 3 + 1
Exhibition view 'Sonambulo', 2023, Galerie Marta Cervera
Untilted, 2024
Untilted, 2024
Silver gelatin print
19 x 28,5 cm
ed 3 + 1
Feathers weight, 2024
Feathers weight, 2024
16mm black and white film, no sound, looped
2 min 30
unique
photo : Aurélien Mole
the dead-end dispute between the wave and the shore, 2024
the dead-end dispute between the wave and the shore, 2024
Silver gelatin print
14 x 9 cm
ed 3 + 1
the dead-end dispute between the wave and the shore, 2024
the dead-end dispute between the wave and the shore, 2024
Silver gelatin print
18,5 x 28,8 cm
ed 3 + 1
Image for the activation of an exhibition: 'House of dreams' , 2024
Image for the activation of an exhibition: 'House of dreams' , 2024
Silver gelatin print
15,5 x 22,5 cm
ed 3 + 1
Image for the activation of an exhibition: 'House of dreams', 2024
Image for the activation of an exhibition: 'House of dreams', 2024
Silver gelatin print
8,5 x 13 cm
ed 3 + 1
Image for the activation of an exhibition: 'House of dreams', 2024
Image for the activation of an exhibition: 'House of dreams', 2024
Silver gelatin print
19 x 29,3 cm
ed 3 + 1
Image for the activation of an exhibition: 'House of dreams', 2024
Image for the activation of an exhibition: 'House of dreams', 2024
Silver gelatin print
29,3 x 19 cm
ed 3 + 1
Image for the activation of an exhibition: 'House of dreams', 2024
Image for the activation of an exhibition: 'House of dreams', 2024
Silver gelatin print
18 x 27 cm
ed 3 + 1
Image for the activation of an exhibition: 'House of dreams', 2024
Image for the activation of an exhibition: 'House of dreams', 2024
Silver gelatin print
14 x 22 cm
ed 3 + 1
Image for the activation of an exhibition: 'House of dreams', 2024
Image for the activation of an exhibition: 'House of dreams', 2024
Silver gelatin print
12 x 8,3 cm
ed 3 + 1
Still life in a white cube, parrot, 2019
Still life in a white cube, parrot, 2019
color analogue print
60 x 90 cm
63,5 x 93 cm
ed 3
Still life in a white cube, cat, 2019
Still life in a white cube, cat, 2019
color analogue print
60 x 90 cm
63,5 x 93 cm
ed 3
To a favourite tree, 2020
To a favourite tree, 2020
metal frame with oiled finish, heat-treated bronze, natural mat varnish
330 x 288 x 237 cm
unique
exhibition view 'enjambment', Marcelle Alix, 2020. Photo: Aurélien Mole
morning noon and evening #4, 2020
morning noon and evening #4, 2020
black and white analog print
14 x 21 cm
ed 3 + 1
morning noon and evening #3, 2020
morning noon and evening #3, 2020
black and white analog print
11 x 16,5 cm
ed 3 + 1
morning noon and evening #1,
morning noon and evening #1,
black and white analog print
27 x 39,5 cm
ed 3 + 1
morning noon and evening #5, 2020
morning noon and evening #5, 2020
black and white analog print
15 x 22.5 cm
ed 3 + 1
placement #2, 2020
placement #2, 2020
foam, ostrich feather
20 x 25,5 x 8,5 cm
unique
placement #10, 2020
placement #10, 2020
wood, paint, aluminium, plexiglas, glue
12 x 21.5 x 9.5 cm
unique
Photo : Aurélien Mole
placement #7, 2020
placement #7, 2020
card box, cotton dripped in wax
15 x 19.5 x 2.5 cm
unique
Photo : Aurélien Mole
placement #6, 2020
placement #6, 2020
dripped in wax, convex lens
20.5 x 14.5 x 4.5 cm
unique
Photo : Aurélien Mole
placements, 2020
placements, 2020
mirror, velvet dipped in wax, cardboard box
about 50 x 39 x 12 cm
unique
Exhibition view 'La vie des tables', Le Crédac, 2020 photo: Marc Domage
Untitled, 2020
Untitled, 2020
analog color print
16 x 24 cm
ed 3 + 1
Blue for Blinky, 2019
Blue for Blinky, 2019
mirror, textile
diameter : 20 cm
unique
Exhibition view "Marcelle Alix ouverte", 2019. Marcelle Alix, Paris. Photo: Aurélien Mole
Tree of Life I, 2019
Tree of Life I, 2019
Bronze, ostrich feather
165 x 1,5 cm
unique
photo: Aurélien Mole
production CA2M Centro de Arte Dos de Mayo, Mostoles (ES)
Tree of Life II, 2019
Tree of Life II, 2019
Bronze, ostrich feather
160 x 1,5 cm
unique
exhibition view 'enjambment', Marcelle Alix, 2020. Photo: Aurélien Mole
production CA2M Centro de Arte Dos de Mayo, Mostoles (ES)
Still Life in a White Cube, 2019
Still Life in a White Cube, 2019
16mm digitally transferred film, colour, sound
8 min
ed 5 + 1
photo Patricia Nieto, exhibition view, CA2M, Mostoles (ES), 2019
production Centro Arte Dos de Mayo, Mostoles (ES)
Millefleur, 2019
Millefleur, 2019
Cut fabric in various leaf shapes, pins
variable dimensions
unique
photo Patricia Nieto, exhibition view, CA2M, Mostoles (ES), 2019
production CA2M Centro de Arte Dos de Mayo, Mostoles (ES)
Light Structure, Version 3, 2016
Light Structure, Version 3, 2016
wood, spotlight, color filter
3 wooden structures, each 480 x 700 cm
unique
view of the exhibition 'Travelogue', Kunstmuseum, Liechtenstein / Photos: Stefan Altenburger
Counter work ten, Kunstmuseum Liechtenstein, 2019
Counter work ten, Kunstmuseum Liechtenstein, 2019
black and white analogue print
17 x 23.5 cm
ed 3 + 1
Lurking Sculpture (Static Diefenbacchia), 2016
Lurking Sculpture (Static Diefenbacchia), 2016
3D printing PMMA, epoxy resin, lacquer
89 x 90 x 98 cm
ed 3 + 1
view of the exhibition 'Travelogue', Kunstmuseum, Liechtenstein / Photos: Stefan Altenburger
collection Kunstmuseum Liechtenstein
Living Images, 2015
Living Images, 2015
3 bronze casts, wood, plastic, paper
installation: variable dimensions
unique
View of the exhibition 'Living Images', Esker Foundation, Calgary, CA, 2015 / photo: John Dean
Living Images (3), 2015
Living Images (3), 2015
bronze cast, plastic
27 x 12 x 9 cm
unique
View of the exhibition 'lightly in the world', Marcelle Alix, Paris, 2016 / photo: Aurélien Mole
Living Images (4), 2015
Living Images (4), 2015
bronze cast, alabaster
27 x 12 x 9 cm
unique
View of the exhibition 'lightly in the world', Marcelle Alix, Paris, 2016 / photo: Aurélien Mole
La réserve, 2017
La réserve, 2017
16mm film, digitally transferred
8 min 37
ed 5 + 1
collection Musée d'Art Moderne de la Ville de Paris
Plinths for Borrowed Sculptures, 2017
Plinths for Borrowed Sculptures, 2017
concrete with pigment
variables
unique
exhibition view Prix Marcel Duchamp 2017 - Centre Pompidou
Marcelle Alix, Paris
Plinths for Borrowed Sculptures, 2017
Plinths for Borrowed Sculptures, 2017
Plinths for Borrowed Sculptures, 2017
Plinths for Borrowed Sculptures, 2017
Choreography of the image: filmic sketches, 2015
Choreography of the image: filmic sketches, 2015
16mm film, digitally transferred
9 min 42
ed 5 + 1
collection MNAM/ Centre Pompidou, Paris
Choreography of the Image: Inserts - Studio (Substitute), 2015
Choreography of the Image: Inserts - Studio (Substitute), 2015
wood, fabric cover, colour and black and white photographs
130 x 203 x 27 cm
ed 1 + 1
view of the exhibition 'Travelogue', Kunstmuseum, Liechtenstein / Photos: Stefan Altenburger
Choreography of the Image : Inserts - Nature (Substitute), 2015
Choreography of the Image : Inserts - Nature (Substitute), 2015
wood, paint, colour photographs
130 x 203 x 27 cm
ed 1 + 1
view of the exhibition 'Travelogue', Kunstmuseum, Liechtenstein / Photos: Stefan Altenburger
Choreography of the Image : Inserts - Image (Substitute), 2015
Choreography of the Image : Inserts - Image (Substitute), 2015
Wood, grey mirror, black and white photographs
130 x 203 x 27 cm
ed 1 + 1
view of the exhibition 'Travelogue', Kunstmuseum, Liechtenstein / Photos: Stefan Altenburger
Choreography of the Image : Inserts - Book (Substitute), 2015
Choreography of the Image : Inserts - Book (Substitute), 2015
wood, colour and black and white photographs
130 x 203 x 27 cm
ed 1 + 1
view of the exhibition 'Travelogue', Kunstmuseum, Liechtenstein / Photos: Stefan Altenburger
Lurking Sculpture (Rotating Rubber Plant), 2016
Lurking Sculpture (Rotating Rubber Plant), 2016
3D printing PMMA, epoxy resin, lacquer, marble base, electric system
59 x 48 x 46 cm
ed 3 + 1
view of the exhibition 'Travelogue', Kunstmuseum, Liechtenstein / Photos: Stefan Altenburger
collection MNAM/ Centre Pompidou, Paris
Living Images (1), 2015-2016
Living Images (1), 2015-2016
bronze cast, glass lens
7 x 11 x 17 cm
unique
Living Images (2), 2015
Living Images (2), 2015
bronze cast, doorknob
8 x 9 x 12 cm
unique
Backdrops, 2015
Backdrops, 2015
mirror, wood, wheels, aluminum-mounted litho and silkscreen print
table: (diam.) 56 x (H) 57 cm, print : 69 x 100 cm
ed 2 + 1
Exhibition view 'Rushes', Marcelle Alix, 2015 / photo: Aurélien Mole
Variation 1: Flotation and suspension, 2014
Variation 1: Flotation and suspension, 2014
wood, plexiglas, formica, mirror, metal stand, metal chains
H 141 x L 80 x P 50 cm
unique
Exhibition view 'The Story of a Different Thought', 2014. De Vleeshal, Middelburg, NL / Photo: Leo V
Variation 1: Flotation and suspension, 2014
Variation 1: Flotation and suspension, 2014
Variation 1: Flotation and suspension, 2014
Variation 1: Flotation and suspension, 2014
Variation 1: Flotation and suspension, 2014
Variation 1: Flotation and suspension, 2014
Variation 2: Flotation and suspension, 2014
Variation 2: Flotation and suspension, 2014
wood, plexiglas, formica, mirror, plastic tubes, metal stand
H 141 x L 80 x P 50 cm
unique
Exhibition view 'The Story of a Different Thought', 2014. De Vleeshal, Middelburg, NL / Photo: Leo V
Variation 2: Flotation and suspension, 2014
Variation 2: Flotation and suspension, 2014
Variation 2: Flotation and suspension, 2014
Variation 2: Flotation and suspension, 2014
The Story of a different thought: mind map 1, 2014
The Story of a different thought: mind map 1, 2014
silkscreen on colour paper
59,4 x 42 cm
ed 10 + 2
photo: Aurélien Mole
The Story of a different thought: mind map 1, 2014
The Story of a different thought: mind map 1, 2014
The story of a different thought: mind map 2, 2014
The story of a different thought: mind map 2, 2014
silkscreen on colour paper
59,4 x 42 cm
ed 10 + 2
photo: Aurélien Mole
The story of a different thought: mind map 5, 2014
The story of a different thought: mind map 5, 2014
silkscreen on colour paper
59,4 x 42 cm
ed 10 + 2
photo: Aurélien Mole
Star: Modulated into Colour, 2013
Star: Modulated into Colour, 2013
digital photo-film
5 min
ed 5 + 1
view of the exhibition: European Kunsthalle, KUB Arena, photo: Markus Tretter
production: Kunsthaus Bregenz, Austria
collection: FRAC des Pays de Loire, Carquefou (FR)
Star: Modulated into Colour, 2013
Star: Modulated into Colour, 2013
Star: Modulated into Colour, 2013
Star: Modulated into Colour, 2013
Willa Niespodzianka, 2012
Willa Niespodzianka, 2012
black and white analogue photograph mounted on dibond and framed
123 x 180,5 cm
ed 3 + 1
Willa Niespodzianka, 2012
Willa Niespodzianka, 2012
..this was the plane - the variously large and accentuated, but always exactly determined plane - from which everything would be made.., 2012
..this was the plane - the variously large and accentuated, but always exactly determined plane - from which everything would be made.., 2012
black and white analogue photograph mounted on dibond and framed
123 x 180,5 cm
ed 3 + 1
collection Kadist Art Foundation, Paris
..this was the plane - the variously large and accentuated, but always exactly determined plane - from which everything would be made.., 2012
..this was the plane - the variously large and accentuated, but always exactly determined plane - from which everything would be made.., 2012
The story of a different thought, 2013
The story of a different thought, 2013
colour 16mm footage digitally transferred, 35 mm scanned colour negatives, HD digital steady camera footage and digital stills
28 min 55
ed 5 + 1
production: Die Kunstproduzenten, Cologne
The Gone Wrong Footage, 2013
The Gone Wrong Footage, 2013
16mm film digitally transferred
3 min
ed 5 + 1
Penser le travail et travailler la pensée, 2012-2013
Penser le travail et travailler la pensée, 2012-2013
portfolio including 8 black and white photo litho prints
A2
ed 11 + 1
production artothèque du Lot
Penser le travail et travailler la pensée, 2012-2013
Penser le travail et travailler la pensée, 2012-2013
Penser le travail et travailler la pensée, 2012-2013
Penser le travail et travailler la pensée, 2012-2013
Penser le travail et travailler la pensée, 2012-2013
Penser le travail et travailler la pensée, 2012-2013
Penser le travail et travailler la pensée, 2012-2013
Penser le travail et travailler la pensée, 2012-2013
Penser le travail et travailler la pensée, 2012-2013
Penser le travail et travailler la pensée, 2012-2013
Penser le travail et travailler la pensée, 2012-2013
Penser le travail et travailler la pensée, 2012-2013
Penser le travail et travailler la pensée, 2012-2013
Penser le travail et travailler la pensée, 2012-2013
Sculpture made to be filmed, 2012
Sculpture made to be filmed, 2012
sculpture with light, plywood, controller
200 x 300 x 45 cm
unique
exhibition view, Centre d'Art Contemporain de Genève, 2012
collection FNAC, Paris
In unexpected places, in unexpected lights and colours (a sculpture made to be filmed), 2012
In unexpected places, in unexpected lights and colours (a sculpture made to be filmed), 2012
16mm film digitally transferred
3 min
ed 5 + 1
exhibition view, Marcelle Alix, Paris, 2012 / photo: Aurélien Mole
collection Centre National des Arts Plastiques, Paris
In unexpected places, in unexpected lights and colours (a sculpture made to be filmed), 2012
In unexpected places, in unexpected lights and colours (a sculpture made to be filmed), 2012
In unexpected places, in unexpected lights and colours (a sculpture made to be filmed), 2012
In unexpected places, in unexpected lights and colours (a sculpture made to be filmed), 2012
to see the things amongst which we live (9), 2012
to see the things amongst which we live (9), 2012
black and white analogue photography
41,5 x 60 cm
ed 3 + 1
to see the things amongst which we live (7), 2012
to see the things amongst which we live (7), 2012
black and white analogue photograph
41,5 x 60 cm
ed 3 + 1
to see the things amongst which we live (6), 2012
to see the things amongst which we live (6), 2012
black and white analogue photograph
41,5 x 60 cm
63 x 44 x 3 cm
ed 3 + 1
to see the things amongst which we live (3), 2012
to see the things amongst which we live (3), 2012
black and white analogue photograph
41,5 x 60 cm
ed 3 + 1
Wooden suspended lighting structure, version 2, 2011
Wooden suspended lighting structure, version 2, 2011
Individually colored spot lights, wooden structure
416 x 517cm
unique
Installation view - Carlier Gebauer, Berlin, Germany
For Claude Parent and Victor Pasmore, 2016
For Claude Parent and Victor Pasmore, 2016
double slideshow installation including 81 colour 35mm slides each
ed 3 + 1
Light studies: objects, architecture, 2011
Light studies: objects, architecture, 2011
slideshow including 52 black and white 35mm slides
ed 1 + 1
exhibition view, GAK Bremen (DE), 2013 / photo: Casper Sessler
Light studies: objects, architecture, 2011
Light studies: objects, architecture, 2011
Noting Thoughts, 2011
Noting Thoughts, 2011
steel, wood, glass, analogue color prints mounted on aluminum, colored filters
7x (90 x 200 x 120) cm
unique
view of the exhibition 'Travelogue', Kunstmuseum, Liechtenstein / Photos: Stefan Altenburger
The Protagonists (1), 2010
The Protagonists (1), 2010
black and white analogue photograph, framed
30,5 x 40,5 cm
43 x 55,5 x 3 cm
ed 3 + 1
Counter work nine, Villeurbanne, 2015
Counter work nine, Villeurbanne, 2015
black and white analogue print
17 x 23,5 cm
29 x 35 x 4cm
ed 3 + 1
Behind every surface there is a mystery, a hand that might emerge... version 1, 2009
Behind every surface there is a mystery, a hand that might emerge... version 1, 2009
installation of a sequined curtain, made to measure
270 x 177 cm
unique
© Kunstverein Düsseldorf, 2009
Behind every surface there is a mystery: a hand that might emerge... version 3, 2010
Behind every surface there is a mystery: a hand that might emerge... version 3, 2010
Installation of a sequined curtain, custom made
variable dimensions
unique
photo: Aurélien Mole / © Marcelle Alix
Behind every surface..., version 6, 2011
Behind every surface..., version 6, 2011
installation of a sequined curtain, made to measure, purple sequin and royal blue
400 x 1760 cm
unique
installation view, Carlier Gebauer, Berlin, Germany, 2011
Behind every surface..., version 6, 2011
Behind every surface..., version 6, 2011
installation view, Carlier Gebauer, Berlin, Germany, 2011
Behind every surface...version 9, 2014
Behind every surface...version 9, 2014
installation of a sequined curtain, made to measure
550 x 550 x 400 cm
unique
installation view, Institut d'art contemporain Villeurbanne, 2015
Counter work one, Schaufenster Project Space Dusseldorf, 2009
Counter work one, Schaufenster Project Space Dusseldorf, 2009
black and white analogue print
17 x 23.5 cm
29 x 35 cm
ed 3 + 1
Counter work three, Marcelle Alix, Paris, 2010
Counter work three, Marcelle Alix, Paris, 2010
black and white analogue print
17 x 23.5 cm
29 x 35 cm
ed 3 + 1
collection Marcelle Alix, Paris
Counter work six (Carlier Gebauer, Berlin), 2011
Counter work six (Carlier Gebauer, Berlin), 2011
black and white analogue print
17 x 23.5 cm
29 x 35 cm
ed 3 + 1
Counter work seven, Dallas Biennale , 2012
Counter work seven, Dallas Biennale , 2012
black and white analogue print
17 x 23.5 cm
29 x 35 cm
ed 3 + 1
Counter work two, Bloomberg Space, 2010
Counter work two, Bloomberg Space, 2010
black and white analogue print
17 x 23.5 cm
29 x 35 cm
ed 3 + 1
Maeve Connolly, 2010
Maeve Connolly, 2010
Black and white photo film with sound (English)
13 min 16
ed 3 + 1
exhibition view 'Remade', Marcelle Alix, 2010 / photo: Aurélien Mole
collection FRAC Centre, Orléans
Maeve Connolly, 2010
Maeve Connolly, 2010
Maeve Connolly, 2010
black and white photo film with sound (English)
ed 3 + 1
exhibition view 'Remade', Marcelle Alix, 2010 / photo: Aurélien Mole
Images for Maeve Connolly and Sadie Murdoch, 2010
Images for Maeve Connolly and Sadie Murdoch, 2010
24 black and white analogue photographs hand printed by the artist in a frame
12 x 17 cm each 98.5 x 90.5 framed
ed 3 + 1
photo: Aurélien Mole
collection FRAC Centre, Orléans


Biography

Charlotte Moth was born in 1978 in Carshalton, United Kingdom. She has been living in Paris since 2007. The Serralves Foundation in Porto (2011), Centre d'Art contemporain de Genve (2012), Esker Foundation (2015), CA2M -Centro Arte Dos de Mayo, Spain (2019) organised solo exhibitions of her work. Tate Britain commissioned and exhibited her series of works Choreography of the Image in its Archive Room in 2015-2016 (cur. Penelope Curtis, Inga Fraser). Kunstmuseum Liechtenstein has hosted an important solo exhibition of her work in 2016 (cur. Christiane Meyer-Stoll), accompanied by a monographic publication: Travelogue (ed. Snoeck). The exhibition has toured to Parc Saint-Lger art center and the MIT List Visual Center (USA).Sculpture is an abiding concern for Charlotte Moth, but disconcertingly, it may be produced as a side effect of other motives, as though it cannot be aimed for directly. The persistence of sculpture is consistently tested against other conditions of display and other types of spaces: living spaces, working spaces (the studio) and also spaces of representation, study and commerce. As sculpture ? which is both a potential class of objects and a historical term for them that we now use uncertainly ? moves through these different spaces, it seems to have become lighter. This lightness is neither a cause for celebration ? as though in victory over ?sculpture?, mass and embodiment ? nor a reason for premature mourning. Lightness is perhaps more simply a condition to be felt and known.[Source: Ian Hunt, 'Four Backdrops' in Charlotte Moth, Travelogue, monographic publication, ed. Snoeck, Kunstmuseum Liechtenstein, 2016]










Go to full website