artist

Aurélien Froment

Louis et les langues, 2023
HD video projection
16 min
ed 5 + 1

Il était une fois et une fois il n'était pas, 2017/2023
HD video projection
11 min 24 sec
ed 5 + 1

Tremblement, 2023
16mm filmstrip, list of words
variable dimensions
unique

Tremblement, 2023

Acyron, 2018
framed archival pigment print
37,5 x 30 cm
39,5 x 32 cm (framed)
ed 3 + 1

Marginalia (03-08), 2021
Archival pigment print
32 x 25 cm
32.5 x 26.5 cm
ed 3 + 1

Marginalia (09-02), 2021
Archival pigment print
32 x 25 cm
32.5 x 26.5
ed 3 + 1

Marginalia (04-07), 2021
Archival pigment print
25 x 32 cm
26.5 x 32.5 cm
ed 3 + 1

Marginalia (03-03), 2021
Archival pigment print
25 x 32 cm
26.5 x 32.5 cm
ed 3 + 1

Marginalia (03-03), 2021
exhibition view Marcelle Alix, 2022
photo: Aurélien Mole

Marginalia (08-03), 2021
Archival pigment print
25 x 32 cm
26.5 x 32.5 cm
ed 3 + 1

Marginalia (08-03), 2021
exhibition view Marcelle Alix, 2022
photo: Aurélien Mole

Marginalia (04-10), 2021
Archival pigment print
25 x 32 cm
26.5 x 32.5 cm
ed 3 + 1

Marginalia (08-04), 2021
Archival pigment print
32 x 25 cm
32.5 x 26.5 cm
ed 3 + 1

Prolepsis, 2018
framed archival pigment print
37,5 x 30 cm
39,5 x 32 cm (framed)
ed 3 + 1

Cacemphaton , 2018
framed archival pigment print
37,5 x 30 cm
39,5 x 32 cm (framed)
ed 3 + 1

Innuendo, 2018
framed archival pigment print
37,5 x 30 cm
39,5 x 32 cm (framed)
ed 3 + 1

Psittacism, 2018
framed archival pigment print
37,5 x 30 cm
39,5 x 32 cm (framed)
ed 3 + 1

Apocalypse, 2017
HD video projection
35 min
ed 5 + 1
With the support of Centre des monuments nationaux

Allegro Largo Triste, 2017
HD video projection
36 min
ed 5 + 1

Tombeau Idéal de Ferdinand Cheval 64-01, 2013
framed archival pigment print
40.5 x 50.2 x 2.5 cm
ed 3 + 1

Quodlibet (03-08), 2016
archival pigment print
64,1 x 52,3 x 2,5 cm
ed 3 + 1

Non alignés (Hema Malini Sy/Daouda Ndao), 2016
HD video projection
8 min 43
ed 5 + 1

Non alignés (Ousmane Diallo), 2016
HD video projection
3 min 37
ed 5 + 1

Non alignés (Fatim Diop), 2016
HD video projection
6 min 12
ed 5 + 1

Bharat Pehchane (Fatim Diop), 2016
archival pigment print
35 x 28 cm
52 x 45 cm
ed 3 + 1

Bharat Pehchane (06-07 with Binette Aw), 2016
archival pigment print
35 x 28 cm
52 x 45 cm
ed 3 + 1

Bharat-Pehchane (Amina Dour, Fatim Diop, Somnath Mukherjee, Adji Fall, Daouda Ndao, Hema Malini Sy, Binette Aw), 2016
archival pigment print
35 x 28 cm
52 x 45 cm
ed 3 + 1

Tombeau Idéal de Ferdinand Cheval 38-12, 2014
framed archival pigment print
64.1 x 52.3 x 2.5 cm
ed 3 + 1

Tombeau Idéal de Ferdinand Cheval 46-07, 2014
framed archival pigment print
64.1 x 52.3 x 2.5 cm
ed 3 + 1

Tombeau Idéal de Ferdinand Cheval 31-07, 2014
framed archival pigment print
64.1 x 52.3 x 2.5 cm
ed 3 + 1

Bharat-Pehchane (Adji Fall, Fatim Diop, Amina Dour), 2016
archival pigment print
28 x 35 cm
45 x 52 cm
ed 3 + 1

Earthworks 1958 - 1974, 2014
Video
10 min 43
ed 3 + 1

Tombeau Idéal de Ferdinand Cheval 20-11, 2013
framed archival pigment print
40.5 x 50.2 x 2.5 cm
ed 3 + 1

Tombeau Idéal de Ferdinand Cheval 51-03, 2014
framed archival pigment print
64.1 x 52.3 x 2.5 cm
ed 3 + 1

Tombeau Idéal de Ferdinand Cheval 49-09, 2014
framed archival pigment print
64.1 x 52.3 x 2.5 cm
ed 3 + 1

Tombeau Idéal de Ferdinand Cheval 59-03, 2013
framed archival pigment print
40.5 x 50.2 x 2.5 cm
ed 3 + 1

Tombeau Idéal de Ferdinand Cheval 35-05, 2014
framed archival pigment print
64.1 x 52.3 x 2.5 cm
ed 3 + 1

Tombeau idéal de Ferdinand Cheval 30-06, 2013
framed archival pigment print
40.5 x 50.2 x 2.5 cm
ed 3 + 1

Tombeau Idéal de Ferdinand Cheval 63-06, 2014
framed archival pigment print
64.1 x 52.3 x 2.5 cm
ed 3 + 1

Tombeau Idéal de Ferdinand Cheval 63-11, 2014
framed archival pigment print
64.1 x 52.3 x 2.5 cm
ed 3 + 1

Tombeau Idéal de Ferdinand Cheval, 2014
Installation of 90 archival pigment print
52.3 x 64.1 x 2,5 cm and 40.5 x 50.2 x 2,5 cm
ed 2 + 1

Tombeau Idéal de Ferdinand Cheval 27-05, 2013
framed archival pigment print
64.1 x 52.3 x 2.5 cm
ed 3 + 1

21 incomplete Soleri Windbells, 2015
bells, terracotta, copper
unique
Exhibition view 'News from Earth', Badischer Kunstverein, Karlsruhe, DE

21 incomplete Soleri Windbells, 2015
21 incomplete Soleri Windbells, 2015
bells, terracotta, copper
Exhibition view 'News from Earth', Badischer Kunstverein, Karlsruhe, DE

Earthwork I , 2015
Siltcast plaster, bricks
186 x 86 x 73 cm
unique
Exhibition view Les Abattoirs FRAC Midi-Pyrénées, Toulouse, FR / photo: Aurélien Mole

Earthwork III, 2015
Siltcast concrete
288 x 50 x 45 cm
unique
Exhibition view Les Abattoirs FRAC Midi-Pyrénées, Toulouse, FR / photo: Aurélien Mole

Earthwork II , 2015
Siltcast plaster, plywood, bricks
145 x 78 x 78 cm
unique
Exhibition view 'Fortuna', Musée régional d'art contemporain, Sérignan, FR. Photo: Aurélien Mole

Earthwork II , 2015
Earthwork II , 2015
Siltcast plaster, plywood, bricks
145 x 78 x 78 cm
unique
Exhibition view Les Abattoirs FRAC Midi-Pyrénées, Toulouse, FR / photo: Aurélien Mole

De l'Ombre des idées (21-11), 2014
framed archival pigment print
82 x 65,8 x 3 cm
ed 3 + 2

De l'Ombre des idées (09-03), 2014
framed archival pigment print
82 x 65,8 x 3 cm
ed 3 + 2

De l'Ombre des idées (20-03), 2014
framed archival pigment print
82 x 65,8 x 3 cm
ed 3 + 2

De l'Ombre des idées (10-12), 2014
framed archival pigment print
82 x 65,8 x 3 cm
ed 3 + 2

De l'Ombre des idées (02-09), 2014
framed archival pigment print
82 x 65,8 x 3 cm
ed 3 + 2

A Soleri Bell (Cosanti Originals), Scottsdale, juin 2002, 2011
silkscreen print on paper
160 x 120 cm
ed 14 + 2

Tombeau Idéal de Ferdinand Cheval 36-02, 2013
framed archival pigment print
52.3 x 64.1 x 2,5 cm
ed 3 + 1

Tristan et Anisa, Arcosanti, 15 juillet 2002, 2011
silkscreen print on paper
160 x 120 cm
ed 14 + 2

La table rase, Arcosanti, juillet 2002, 2011
silkscreen print on paper
120 x 160 cm
ed 14 + 2

The Apse, the Bell and the Antelope, 2005
Video
27 min 37
ed 3 + 1
collection FRAC Centre, Orléans (F)

Ivan Pintar, Arcosanti construction, Foundry Apse, August 1973, 1973
framed archival pigment print, 2014
57 x 40 x 3 cm
ed 3 + 2
Courtesy Cosanti Foundation

Fröbel Fröbeled, 2013
11 cherry wooden boxes, 11 tables laminated plywood and aluminium, 55 framed archival pigment prints, 50 archival pigment prints under glass
frames: 64,1 x 52,3 cm or 53,3 x 53,3 cm. Under glass: 25x30,5 cm. Tables: 85 x 125 x 100 cm
ed 2 + 1
View of the exhibition 'Fröbel Fröbeled', Contemporary Art Gallery, Vancouver, CA / Photo SITE photo

Form of Beauty of the Sixth Gift, 2013
framed archival pigment print
52.3 x 64.1 cm
ed 1 + 1

Form of Nature of the Nineteenth Gift, 2013
framed archival pigment print
64.1 x 52.3 cm
ed 1 + 1

Camillo's Idea, 2013
Installation of two HD videos projections
13 min 20 and 19 m
ed 5 + 2

Camillo's Idea, 2013
Camillo's Idea, 2013
Installation of two HD videos projections
13 min 20 and 19 min10
ed 5 + 2

9 intervals, 2012
two-channel HD video projection with sound
19 min 43
ed 5 + 2
commissioned and produced by Pavilion, Leeds (UK)
View of the Exhibition 'An ever changing meaning', Walter Phillips Gallery, The Banff Centre, CA / Photo: Kim Williams.

Le yoga par l'image, 2011
HD video
16 min 11
ed 5 + 1

Debuilding (Daniel Buren, Murs de peinture, 1965-1977, collections MAMVP), 2009
ink-jet print on Epson premium semi mat, 56 painted beech blocks
print: 31 x 41 cm (framed: 39 x 50 cm) Blocks: 50 x 25 x 12.5 mm ; 25 x 25 x 12.5 mm ; 25 x 25 x 25
ed 5 + 1

Manuel d'utilisation d'un projecteur Victoria 8, 2007
3 framed b&w photographies
3 x (30 x 41 x 3 cm)
ed 1 + 1

Théatre de poche, 2007
print mounted on aluminum
103 x 80 cm
ed 3 + 1

Inventaire de Succession, 2006
archival pigment prints mounted on acrylic sheets
110 x100 x10 cm
ed 3 + 1

Biography

Aurélien Froment was born in France in 1976, he lives in Edinburgh (Scotland). Many institutions have organised solo presentations of his work, including The Wattis Institute (San Francisco), Le Crédac (Ivry-sur-Seine), Gasworks (London), Montehermoso (Vitoria, Spanish Basque country), Bonniers Konsthalle (Stockholm), Palais de Tokyo (Paris) and The Badischer Kunstverein (Karlsruhe). He participated in the Sydney Biennial (2014), the Venice Biennial (2013), the Lyon Biennial (2011) and the Gwangju Biennial (2010). In 2014, his exhibition Fröbel Fröbeled, which was first presented at the Contemporary Art Gallery in Vancouver, toured to Villa Arson (Nice, France), Spike Island (Bristol, UK), Heidelberger Kunstverein (Germany) and Le Plateau/FRAC Ile de France (Paris). Les Abattoirs (Toulouse, France) and M Museum (Leuven, Belgium) have hosted two important retrospective shows of his work, respectively in 2016 (with Raphaël Zarka) and 2017. In 2018, a first monographic publication, entitled Three Double Tales, was published in French, German and English (Dent-de-Leone ed.)

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Marcelle Alix

4 rue Jouye-Rouve, 75020 Paris
tel: +33 (0)9 50 04 16 80
demain@marcellealix.com

Tuesday-Saturday, 11am-7pm
and by appointment

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